AGENCY: A Partial History of Live Art
Edited by Theron Schmidt
Published by Live Art Development Agency and Intellect Books, Spring 2019.
223 mm x 170 mm, paperback. 320 pages.
Trade Orders: Intellect Books, see our distribution page for more info.
Notoriously difficult to define, Live Art is commonly positioned as a challenge to received artistic, social, and political categories: not theatre, not dance, not visual art, and often wilfully anti-mainstream and anti-establishment. But as it has become increasingly prevalent in international festivals, major art galleries, and university courses, it is ripe for a reassessment.
AGENCY: A Partial History of Live Art is a new book edited by Theron Schmidt and co-published with Intellect Books. AGENCY looks back at the last 20 years of Live Art through the lens of LADA.
Including almost 50 contributing artists and scholars, this collection of conversations, provocations and images takes the twentieth anniversary of the LADA’s founding as an opportunity to consider not only what Live Art has been against, but also what it has been for. Through the work of this particular ‘Agency’, the book explores the idea of agency more generally: how Live Art has enabled the possibility for new kinds of thoughts, actions and alliances for diverse individuals and groups.
Contributors: Barby Asante, Ron Athey, David A. Bailey, Anne Bean, Bryan Biggs, Cassils, Simon Casson, George Chakravarthi, Curious, Richard DeDomenici, The Disabled Avant-Garde, Tim Etchells, Andy Field, French & Mottershead, RoseLee Goldberg, Guillermo Gómez-Peña, Jen Harvie, The Institute For The Art And Practice Of Dissent At Home, Dominic Johnson, Amelia Jones, John Jordan, Lois Keidan, Alastair MacLennan, John E. McGrath, Jordan McKenzie, Hayley Newman, Martin O’Brien, Kira O’Reilly, Mary Paterson, Project 0, Alan Read, Heike Roms, Rajni Shah, Joshua Sofaer, Selina Thompson, Jane Trowell, Johanna Tuukkanen, the vacuum cleaner, Manuel Vason, Lois Weaver, Catherine Wood.
"Avoiding the potential pitfalls of attempting chronology and definition, this ‘partial history’ instead provides a series of maps, in-roads and meanderings through the various practices, strategies, political and cultural concerns that Live Art as a counter-cultural sector produces. Staking its ground and pedigree by gathering together some of the most significant artists in the field, the collection pairs them together in order to initiate conversations that reveal various histories and concerns that might otherwise not come to light."
Sara Jane Bailes, Reader in Theatre and Performance Studies, University of Sussex
"This is a book about ‘relations and commitments’, to borrow a phrase from the introduction: histories, practices, discourses, places, people, ideas, politics. It maps and narrates a ‘field’ of art practices and where those practices, those ways of working, complicate and disturb other activities: activism, living, teaching and research. It may well turn out to be the book that I will be pointing students towards first for some while, to orient themselves in this field."
Joe Kelleher, Professor of Theatre and Performance, University of Roehampton London
In 2019, LADA is marking its 20th Anniversary and we are celebrating with a series of initiatives throughout the year including a series of 20 limited edition artworks Tiny Live Art (Development Agency) by Robert Daniels which will be launched with an event on 6 March; a radio series on Live Art histories and futures for Resonance FM; a box set of 20 postcards representing key LADA projects and initiatives; and a series of free events here at our home at The Garrett Centre – Live Art on the page, the stage and the screen.