The Last Performance [dot org]: an impossible collaboration

Artist/Author: Marcus Verhagen | Editor: Mark Rappolt, David Terrien, Skye Sherwin, J.J. Charlesworth, Laura Allsop | Reference: A0933 | Type: Article

Art Review Issue 26  / October 2008

pg. 74-81

Feature on Elmgreen & Dragset : Inconvenient Truths

Artist/Author: Bojana Janković | Editor: Maria M. Delgado, Maggie B. Gale, Bryce Lease, Sarah Thomasson & Sir Anril Pineda Tiatco | Reference: A0932 | ISBN: 1048-6801 | Type: Article

Contemporary Theatre Review, Volume 33, Issue 3 (2023)

Essential Work : Eastern European Immigrants and Models of Participation, Bojana Janković

This article investigates the relationship between a marginalised community of essential workers and dominant models of participation.

Artist/Author: Spike Mclarrity | Reference: P4225 | ISBN: ISBN 9781527288232 | Type: Publication

Mclarrity, Spike (2021) White rabbit : celebrating ten years of Barnes’ White Rabbit.

Artist/Author: Jet Moon | Editor: SonIa Elks | Reference: P4220 | Type: Publication

Interviews with people at the intersection of disability, queerness, kink, sex work and survivorship.

Artist/Author: Laura Bissel, Gary Gardiner, Sarah Hopfinger, Rachel O'Neill | Editor: felipe Cervera, Elizabeth De Roza, Michael Earley, Richard Gough | Reference: A0917 | Type: Article

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg42-50

 

Artist/Author: Shabari Rao | Editor: Felipe Cervera, Elizabeth De Roza, Michael Earley, Richard Gough | Reference: A0916 | Type: Article

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg9-10

 

Artist/Author: Melissa Thompson, Katherine McMahon, Hari Covert, Eileen Quashie, Ama Josephine Budge, Maria Puig de la Bella Casa, Dimitris Papadopoulos, Olly Edmonds Lauren Jane Sheerman, Gail Burton | Reference: P4216 | Type: Publication

This zine brings together writings and words from contributors who came together in the summer of 2018 at Bethnal Green Nature Reserve (BGNR) to think about and connect with soil.

Artist/Author: Manuel Vason | Editor: Alessandro Simari | Reference: P4211 | ISBN: 978-1-8380229-9-0 | Type: Publication

Unframing Photography: Performing the Image to See Otherwise is a new book by transdisciplinary artist Manuel Vason, and his third publication with LADA after the ground-breaking Exposures (2002) and Double Exposures (2014).

Artist/Author: David Berman, Theresa Brayshaw, Season Butler, J.R. Carpenter, Karen Christopher, Sophie Grodin, Erini Kartsaki, Joe Kelleher, Orit Kent, Andrea Milde, Mary Paterson, Rajni Shah, Litó Walkey, David Williams, Jemima Yong, | Editor: Karen Christopher and Mary Paterson | Reference: P4207 | ISBN: 978-1-78938-504-5 | Type: Publication

This book explores the practical, philosophical and aesthetic implications of performers working in pairs. It focuses on a ten-year period in the work of Karen Christopher, alongside wider reflections on the duet as a concept in artistic and social life. The book presents an investigation of the entanglement of form and practice seen through the lens of the smallest multiple unit of collaboration: the pair.

Artist/Author: Rajni Shah | Reference: P4203 | ISBN: 9781538144299 | Type: Publication

Through an exploration of both practice and theory, this book investigates the relationship between listening and the theatrical encounter in the context of Western theatre and performance. Rather than looking to the stage for a politics or ethics of performance, Rajni Shah asks what work needs to happen in order for the stage itself to appear, exploring some of the factors that might allow or prevent a group of individuals to gather together as an ‘audience’.

Editor: Keelin Murray, Ailbhe Murphy, Áine O’Brien, Áine Crowley | Reference: P4200 | ISBN: 978-1-869895-14-3 | Type: Publication

Field Notes II documents the second Summer School on Cultural Diversity and Collaborative Practice, held in July 2019.

Artist/Author: Toine Horvers | Reference: P4186 | ISBN: 9789083003849

‘The book, that started four years ago as a possible form in which my ephemeral works could live on, gradually developed into an intensive writing project about movement and the imaginative power of language.’ Toine Horvers