Surveillance Spectacles: The Big Art Group’s Flicker and the Screened Body in Performance

Notes

This article analyzes the question of where the dominant mode of production lies – on the screen, where action and a singular character identity cohere, or behind the screen, where the embodied difference of the actors is continually prioritized.

Artist / Author	Jason Farman
Reference	A0262
Date	2009
Journal	Cont Theatre Review
Journal page	181-194
Type	Article

Keywords

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