Ian Breakwell documentation
Notes
Artist collection.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
| Artist / Author | Ian Breakwell |
|---|---|
| Reference | D0708 |
| Date | 2007 |
| Type | DVD |
Keywords
Similar items
Taking Receipts: A Log of Aggression for People of Color
“Sadly, as people of color we experience discrimination everyday. It’s exhausting. And when it happens, we often question ourselves, thinking: Did that just happen? Am I being too sensitive? And when we can identify that it is discrimination and speak to it, we’re often questioned and others often don’t believe us or brush us off, calling us too sensitive or angry. The burden falls on us to prove that we are being discriminated against. This book is here for you to take detailed logs of your everyday aggressions so that you can show off your receipts–proof.” Aram Han Sifuentes
Designed and illustrated by Ishita Dharap.
Field Notes II: Summer School on Cultural Diversity and Collaborative Practice
Field Notes II documents the second Summer School on Cultural Diversity and Collaborative Practice, held in July 2019.
Chump Change
Chump Change was produced by Aislinn Evans and features contributions by Stephen Pritchard, Raju Rage, Harry Josephine Giles, and Maz Murray (therightlube).
This Container 08
Bringing together thirty authors variously invested in dance, performance and/or choreography; This Container is a zine for texts produced through and alongside dance, performance and choreography.
köppl/začek 1997-2007
Text and photographic documentation of the work of Jörg Köppl and Peter Začek.
Kindly donated as part of the Swiss Live Art Study Room Guide.
Text in German.
Sibylle Omlin: Smoky Pokership- Perform the Exhibition Space
This book focuses on the possibility of rethinking the static model of installation and exhibition and exploring the way in which ‘performative’ approaches, adopted by artists and curators alike, can reframe the exhibition and its work as an environment subject to formal, temporal or relational transformation.
LADA Screens 13: Adrian Howells
Documentation from the public screening of Adrian Howells’ works featuring presentations from Adrian’s collaborators and colleagues. The event launched LADA screens 13 and the publication It’s All Allowed: The Performances of Adrian Howells. Selected works of Adrian Howells were available online 18 July – 1 August 2016 on the LADA Screens Channel.
Revisiting Genisis
Follows two nurses, both named Jackie, who create biographical slideshows for patients as a tool for reflection on posthumous digital legacies, withdrawal, friendships, cultural and social loss, and memory as identity.
Part of LADA Screens 11. The film was available online 16-29 May 2016 on the LADA Screens Channel. Includes a compilation of episodes 1 – 7, split into two files.
Part of the Library of Performing Rights (P3041).
The Crossing of Innumerable Paths
The fourteen essays bringing together a unique gathering of artists, many of whome make works which arise out of responses to the situation or the environment in which they find themselves.
PRAXIS Vol 2: The Town as Art Centre
An invitation to encounter work and thinking that is in motion. Taking two years of projects and initiatives by Heart of Glass, a national agency for collaborative and social practice based in St Helens, as its starting point, the publication explores the interface between theory and practice.
Talking Dirty: Tongue First!: Recipes from the Mouth of the Thames
A recipe book produced following a series of public events involving local South Essex foods, their source, preparation and consumption.
The Twenty-First Century Performance Reader
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
