Skip to main content

Liveartwork DVD 5

Notes

Issue 5 of liveartwork, a publication showcasing contemporary live art.This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)

Artist / Author Various
Reference D1288
Date 2006
Type DVD

Keywords

Similar items

Paper leaves and other constructions

Editor: Karen Christopher, Tara Fatehi Irani | Reference: P4180 | Type: Publication

Paper leaves and other constructions
a reading companion to Always Already
compiled and edited by Karen Christopher & Tara Fatehi Irani

Always Already is an 8-hour performance installation by Karen Christopher & Tara Fatehi Irani, which uses materials, text, sound and movement to explore the weaving together of plant, human and machine, including human/plant and human/machine hybrids.

Paper leaves and other constructions is a 32-page booklet, introducing the themes and content of the project, and responding to many of the questions that arose in the creative process. Drawing parallels between a path through life and one through the making of a particular work of performance, the booklet answers the question “how did you do that?”

The booklet includes contributions from Karen, Tara, Payman Kassaei (Professor of Mathematics, Kings College), Felipe Ribeiro (performance artist and researcher), Omikemi (poet), Eirini Kartsaki (performance writer and teacher), and an interview with Henry Dagg (sound sculptor and builder of experimental musical instruments).

 

The Stuart Brisley Interviews: Performance and its Afterlives

Artist/Author: Stuart Brisley, Gilane Tawadros | Reference: P4174 | ISBN: 978 1 912570 0 96 | Type: Publication

This series of interviews, held by curator and writer Gilane Tawadros are focussed entirely on Stuart Brisley’s practice and directed by him. The artist’s narration of his practice demonstrates an unswerving resistance to controlling the narrative or fixing the meaning of his works.

Responding to Site: The Performance Work of Marilyn Arsem

Editor: Jennie Klein, Natalie Loveless | Reference: P4173 | ISBN: 9781789380972 | Type: Publication

An edited volume that explores the work of the innovative, experimental and internationally acclaimed performance artist Marilyn Arsem, with 200 images.

Blow!8- International female positions of Performance Art

Artist/Author: Marilyn Arsem, Claudia Bucher, Shannon Cochrane, Alice De Visscher, Sandra Johnston, Essi Kausalainen, Macarena Perich Rosas, Gwendoline Robin | Reference: P4145 | Type: Publication

Catalogue to the festival from 26.06.01-01.07.12 in llsede, Hildesheim, Bad Salzdetfurth, Germany.

Kindly donated for the Swiss Live Art Study Room Guide.

The Live Art Almanac Vol. 5

Editor: Bojana Janković, Megan Vaughan, Lois Keidan | Reference: P3977 | ISBN: 978-1-9164243-4-0 | Type: Publication

A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.

Part of Library of Performing Rights (P3041).

An Interview with Hancock and Kelly

Artist/Author: Jennie Klein | Reference: A0884 | Type: Article

An interview focused on An Extraordinary Rendition, performance created in response to the work of Goat Island. In misc. folder 7.

this moment: missives from another world - thirty years of performances photographed

Artist/Author: Bob Raymond | Reference: P4072 | ISBN: 978-0-9963200-1-6 | Type: Publication

A book on the photography of Bob Raymond, who documented performance art for thirty years.

Performing Singapore

Artist/Author: Jennie Klein | Reference: A0858 | Type: Article

On the Future of Imagination (FOI) Festival 9, Singapore, September 4–7, 2014.

Body and self: Performance art in Australia 1969-92

Artist/Author: Anne Marshe | Reference: P3931 | ISBN: 978-0195535068 | Type: Publication

Charts the historical course of performance in Australia from the happenings of the 1960s, through body art in the 1970s, towards a more political body in the 1980s. 

Part of Library of Performing Rights (P3041)

Dyng memories

Artist/Author: David Hughs | Reference: A0818 | Type: Article

On the production style of Goat Island.

Donation

£