Skip to main content

Elia Arce’s Performance Art: Transculturation, Feminism, Politicized Inividualism

Notes

Adopts Fernando Ortiz’s concept of ‘transculturation’ to examine the performance career of Elia Arce.

Artist / Author Meiling Cheng
Publisher Text and Perofrmnace Quarterly
Reference P0507
Date 2000
Type Publication

Keywords

Similar items

Burlington Contemporary Journal Issue 8: Drawing

Editor: Michael Hall | Reference: P4231 | ISBN: 2631-5661 | Type: Publication

This special issue of Burlington Contemporary Journal is dedicated to drawing and has been realised in collaboration with Drawing Room. Surveying work made over the last sixty years, this issue examines the radical potential of drawing and its varied role in artistic practice. The issue includes artist commissions by Jade Montserrat and Emma McNally, and a profile of Massinissa Selmani by Roger Malbert.

Anomalous Tradition, Queer Enchantment: On the Work of siren eun young jung

Artist/Author: Hyunjin Kim | Editor: Ute Meta Bauer, Nav Haq, Mark Lewis, Adeena Mey, Charles Esche, Mark Lewis | Reference: A0935 | ISBN: 978-184638-217-8 | Type: Article

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

pg.49-57

Hyunjin Kim contextualises siren eun young jung’s audio-visual work at the 2019 Venice Biennale in relation to queer performance in South Korean history.

Elmgreen & Dragset : Inconvenient Truths

Artist/Author: Marcus Verhagen | Editor: Mark Rappolt, David Terrien, Skye Sherwin, J.J. Charlesworth, Laura Allsop | Reference: A0933 | Type: Article

Art Review Issue 26  / October 2008

pg. 74-81

Feature on Elmgreen & Dragset : Inconvenient Truths

Taking Receipts: A Log of Aggression for People of Color

Artist/Author: Aram Han Sifuentes, Ishita Dharap | Reference: P4227 | Type: Publication

“Sadly, as people of color we experience discrimination everyday. It’s exhausting. And when it happens, we often question ourselves, thinking: Did that just happen? Am I being too sensitive? And when we can identify that it is discrimination and speak to it, we’re often questioned and others often don’t believe us or brush us off, calling us too sensitive or angry. The burden falls on us to prove that we are being discriminated against. This book is here for you to take detailed logs of your everyday aggressions so that you can show off your receipts–proof.” Aram Han Sifuentes

Designed and illustrated by Ishita Dharap.

Between Journeys : an Interview with Lee Wen

Artist/Author: Woon Tien Wei | Editor: Claire MacDonald | Reference: A0928 | ISBN: 978-0-415-26311 | Type: Article

Performance Research Vol 6. No. 1. Spring 2001

Departures

The first of three related issues which engage with the migrations of people, performance and performance cultures, generating writing around differing geographies and histories of travel and travelling performance in a diversity of written and visual forms.

Between Journeys : an Interview with Lee Wen

Woon Tien Wei

pp. 3 – 7

Delaine Le Bas : Secession

Artist/Author: Stephen Ellcock, Francesca Gavin, Delaine Le Bas | Reference: P4226 | ISBN: 978-3-7533-0471-7 | Type: Publication

A publication with an essay by Stephen Ellcock in which he exemplifies the spiritual and mythological references in Delaine Le Bas’s work and in particular in the installation conceived for the Secession with references from Greek mythology and ancient Egyptian death cults.

Languages: German, English

Aesthetic Taiwan

Artist/Author: Catherine Jiang | Editor: Supervisor/Vivenne Gaskin, Tutor/Alix Slater | Reference: P4224 | Type: Publication

Can Taiwan performing/performance art be an avant-garde strategy for cultural exchanging with Shanghai e-Art Festival?

-Referring to the changing face of British Live Art.

Research study by Catherine Jiang.

They Are All at Least Seventy - An exploration of female resistance to the decline narrative in theatre and live art

Artist/Author: Beth Watton | Editor: Richard Gough, Nanako Nakajima | Reference: A0915 | Type: Article

On Ageing (&Beyond)

Performance Research Volume 24 Issue No 3 April/May 2019

pg 40-48

Blackness and Self-Imaging : Lorraine O'Grady's Performance as Mademoiselle Bourgeoise Noire

Artist/Author: Vanessa Damilola Macaulay | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomassona | Reference: A0911 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p4-20

Share Your Work : Lola Arias's Lecture Performance Series and the Artistic Cognitariat of the Global Pandemic

Artist/Author: Clio Unger | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0909 | Type: Article

Contemporary Theatre Review, Volume 31 Issue Number 4 November 2021

White Cube / Black Box : Skulpturensammlung : Video, Installation, Film, Werkschau Valie Export und Gordon Matta-Clark

Artist/Author: Dietrich Karner, Sabine Breitwieser, Ute Meta Bauer, Xavier Douroux, Silvia Eiblmayr, VALIE EXPORT, Corinne Diserens, Benjamin H. D. Buchloh, Birgit Pelzer, Dan Graham, Malcolm Le Grice, Steve Anker | Editor: Sabine Breitwieser | Reference: P4215 | ISBN: 3-901107-14-2 | Type: Publication

Reader for the lecture series from January to June 1996.

Edited by  Sabine Breitwieser. Forward by Dietrich Karner. Introduction by Sabine Breitwieser. Texts by Steve Anker, Ute Meta Bauer, Benjamin H.D. Buchloh, Corinne Diserens, Xavier Douroux, Silvia Eiblmayr, VALIE EXPORT, Dan Graham, Malcolm Le Grice, Birgit Pelzer, Roland Schöny, V-Girls, Video and filmography VALIE EXPORT and Gordon Matta-Clark.

An Introduction to the Phenomenology of Performance Art : SELF/s

Artist/Author: T. J. Bacon | Reference: P4212 | ISBN: 978-1-78938-530-4 | Type: Publication

Applying a queer phenomenology to unpack the importance of a multiplicity of Self/s, the book guides readers to be academically rigorous when capturing embodied experiences, featuring exercises to activate their practices and clear introductory definitions to key phenomenological terms. Includes interviews and insights from some of the best examples of transgressive performance art practice of this century help to help unpack the application of phenomenology as Bacon calls for a queer reimagining of Heidegger’s ‘The Origin of the Work of Art.’

Donation

£