Animal Justice Court: Annual Review 2018

Contemporary Theatre Review, Volume 33, Issue 3 (2023)

On Scent in Theatre Audience Research : Sensory Mining and Olfactory Archives, Freya Verlander

This article uses netnographic research methods, as a form of olfactory sensory mining, to investigate the smell-based experiences of audience members at Punchdrunk’s Sleep No More (2011).

shado Issue 4 : Youth

Article ‘Black Radical Tradition : Centring Abolition Ecology in the Climate Climate Justice Movement’  by Idman Abdurahaman.

shado Issue 2 : Global Womxnhood

Feature on poet and performer Tolu Agbelusi.

Article in Consented Issue 9 : Environment

Article from Consented Issue 9 : Environment

Mclarrity, Spike (2021) White rabbit : celebrating ten years of Barnes’ White Rabbit.

In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship’s owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert-the only extant public document related to the massacre of these African slaves-Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten.

This fully-illustrated book brings together for the first time an account of Baker’s career as an artist – from her first sculptures at Central St Martins in the early 1970s to her most recent work, ‘How to Live’ and ‘Diary Drawings’ – with critical commentary by reviewers and academic practitioners.

This title offers the gender-bending performances of Dlane Torr, creator of the Man for a Day workshops. This book documents and contextualizes the development of Torr’s internationally celebrated workshops, as well as her own ongoing experiments in performing gender-play in theaters, galleries, and clubs.

This article presents the research and performance practice behind ‘The Performing Solidarity Project’.

Interviews with people at the intersection of disability, queerness, kink, sex work and survivorship.