Skip to main content

T(r)ipping points: the architect-walker and the destabilised city

Notes

Documentation (Power Point) from the DIY 13 project exploring notions of tripping and tipping points through the lens of the architect-walker.

Artist / Author Stephen Hodge
Publisher LADA
Digital Ref EF5267
Date 2016
Type Digital File

Keywords

Similar items

Shortlist LIVE! Issue 2

Editor: Heidi Backström | Reference: P4230 | ISBN: 978-1-8380229-2-1 | Type: Publication

Publication on a new entity of events as part of ANTI Festival, where the artists shortlisted for the International Prize of Live Art present their work.

In English and Finnish.

André Stitt: Dingo - A treatment towards a new communionism

Artist/Author: André Stitt | Editor: Blair French | Reference: P4228 | ISBN: 978 1 920781 36 1 | Type: Publication

Over three days in August 2007 Cardiff-based performance artist André Stitt undertook a major ‘akshun’ work at Artspace. Utilizing Joseph Beuys’ famous “I Like America and America Likes Me (or ‘Coyote’)” performance of 1974 as a template through which a performative engagement with acts of arrival and the attendant trauma of colonialism could be developed, Stitt shared a caged-in area of the gallery with a dingo, exploring forms of possible connection between the human figure and dog. This book provides extensive documentation and critical reflection upon one of the most significant and sustained performance works undertaken in Sydney in recent years.

Aesthetic Taiwan

Artist/Author: Catherine Jiang | Editor: Supervisor/Vivenne Gaskin, Tutor/Alix Slater | Reference: P4224 | Type: Publication

Can Taiwan performing/performance art be an avant-garde strategy for cultural exchanging with Shanghai e-Art Festival?

-Referring to the changing face of British Live Art.

Research study by Catherine Jiang.

Bobby Baker : Redeeming Features of Daily Life

Artist/Author: Bobby Baker | Editor: Michèle Barrett | Reference: P4222 | ISBN: 978-0415444118 | Type: Publication

This fully-illustrated book brings together for the first time an account of Baker’s career as an artist – from her first sculptures at Central St Martins in the early 1970s to her most recent work, ‘How to Live’ and ‘Diary Drawings’ – with critical commentary by reviewers and academic practitioners.

Decolonising Performance Pedagogy - A position paper from Bangalore, South India

Artist/Author: Shabari Rao | Editor: Felipe Cervera, Elizabeth De Roza, Michael Earley, Richard Gough | Reference: A0916 | Type: Article

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg9-10

 

They Are All at Least Seventy - An exploration of female resistance to the decline narrative in theatre and live art

Artist/Author: Beth Watton | Editor: Richard Gough, Nanako Nakajima | Reference: A0915 | Type: Article

On Ageing (&Beyond)

Performance Research Volume 24 Issue No 3 April/May 2019

pg 40-48

LINEAGES OF TRASH

Artist/Author: Owen Parry | Editor: João Florêncio, Owen Parry, Martin Hargreaves, Thom Shaw | Reference: A0905 | Type: Article

Owen Parry interviews “legend, icon, wild-hearted demoness bad-girl bitch” – Penny Arcade.

DANCE THEATRE JOURNAL Vol 24 no.3 2011
pg43-47

"DRESS UP AND WE LOVE YOU" AN AUTOETHNOGRAPHIC EXPLORATION OF QUEER PERFORMANCE CLUB BAR WOTEVER

Artist/Author: Vikki Chalkin | Editor: João Florêncio, Owen Parry, Martin Hargreaves, Thom Shaw | Reference: A0904 | Type: Article

DANCE THEATRE JOURNAL Volume 24 no.3 2011
pg 15-19

Unframing Photography : Performing the Image to See Otherwise

Artist/Author: Manuel Vason | Editor: Alessandro Simari | Reference: P4211 | ISBN: 978-1-8380229-9-0 | Type: Publication

Unframing Photography: Performing the Image to See Otherwise is a new book by transdisciplinary artist Manuel Vason, and his third publication with LADA after the ground-breaking Exposures (2002) and Double Exposures (2014).

Common Salt

Artist/Author: Sheila Ghelani, Sue Palmer | Editor: Sheila Ghelani, Sue Palmer | Reference: P4209 | ISBN: 978183802296 | Type: Publication

Common Salt was a performance around a table – a ‘show and tell’ by artists Sheila Ghelani and Sue Palmer. It explored the colonial, geographical and natural history of England and India taking an expansive and emotional time-travel, from the first Enclosure Act and the start of the East India Company in the 1600s, to 21st century narratives of trade, empire and culture.

In the performance Sue and Sheila activated insights into our shared past, laying out a ‘home museum’ of objects and stories about borders and collections, the Great Hedge of India, a forgotten naturalist – all accompanied by original Shruti box laments.

This book documents and explores the project, placing the performance text, images and reflections from both artists alongside writings by invited guests – from curators and artists to audience members.

Common Salt is designed by John Hunter (aka RULER) and published by LADA.

Donation

£