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In the Flow

Notes

Groys explores art in the age of the thingless medium, the internet. He claims that if the techniques of mechanical reproduction gave us objects without aura, digital production generates aura without objects, transforming all its materials into vanishing markers of the transitory present.

Performing Borders: A Study Room Guide on physical and conceptual borders within Live Art.

Artist / Author Boris Groys
Publisher Verso Books
ISBN 978-1784783501
Reference P3042
Date 2016
Type Publication

Keywords

20th century 21st century activism aestheticization archiving art institution art object artistic practice avant-garde Clement Greenberg communism conceptual art contemporary art criticism curating digital reproduction direct realism documentation Google Ilya Kabakov installation internet Karl Marx Kazimir Malevich Martin Heidegger Michel Foucault modern art modernity museum politics preservation realism reproduction revolution Suprematism theory Walter Benjamin Wikileaks works of art

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