Skip to main content

A que no puedes comer sólo una

Notes

Part of “Negación y Utopía” (“Nagation and Utopia”), the first National Festival of Performance of Mexico, 6-29 November 2013, a platform showcasing work on Mexican identity and multicultural hybrids. This documentation includes recordings of the performance, exerpts, and interviews with the artist. Spanish language.

Artist / Author Santo Miguelito
Digital Ref EF5144
Date 2015
Type Digital File

Keywords

advertisement body communication consumism fat mass media Miguel Pérez Ramos obesity performance

Similar items

Tolu Agbelusi
Artist/Author: Tolu Agbelusi | Editor: Leyla Hussein, Hannah Robathan, Isabella Pearce | Reference: A0926 | Type: Article

shado Issue 2 : Global Womxnhood

Feature on poet and performer Tolu Agbelusi.

activism black identity black women education performance poetry strength Strongwoman women

White Rabbit: Celebrating ten years of Barnes' White Rabbit
Artist/Author: Spike Mclarrity | Reference: P4225 | ISBN: ISBN 9781527288232 | Type: Publication

Mclarrity, Spike (2021) White rabbit : celebrating ten years of Barnes’ White Rabbit.

Barnes character community life performance public performance Spike Mclarrity White Rabbit

Bobby Baker : Redeeming Features of Daily Life
Artist/Author: Bobby Baker | Editor: Michèle Barrett | Reference: P4222 | ISBN: 978-0415444118 | Type: Publication

This fully-illustrated book brings together for the first time an account of Baker’s career as an artist – from her first sculptures at Central St Martins in the early 1970s to her most recent work, ‘How to Live’ and ‘Diary Drawings’ – with critical commentary by reviewers and academic practitioners.

Adrian Heathfield archive Bobby Baker domesticity drawing feminism food gender Griselda Pollock intimacy kitchen life live art Michèle Barrett performance theatre visual culture

Sex, Drag, and Male Roles : Investigating Gender as Performance
Artist/Author: Diane Torr | Editor: Stephen Bottoms | Reference: P4221 | ISBN: 978-0-472-07102-9 | Type: Publication

This title offers the gender-bending performances of Dlane Torr, creator of the Man for a Day workshops. This book documents and contextualizes the development of Torr’s internationally celebrated workshops, as well as her own ongoing experiments in performing gender-play in theaters, galleries, and clubs.

androgeny androgynous butch Danny King Diane Torr drag drag king empowerment feminine gender identity Male Role masculine masculinity memory performance queer sex Stephen Bottoms workshop

Exercises For Solidarity As Performance Art
Artist/Author: Tomaž Simatović | Reference: A0920 | Type: Article

This article presents the research and performance practice behind ‘The Performing Solidarity Project’.

activism artistic research care dance empathy human interaction human rights intimacy performance rescue solidarity somatic experience Tomaž Simatović

REVIEW - On Shared Resources : Performance studies publications from a pandemic
Artist/Author: Anna Jayne Kimmel | Editor: Felipe Cervera, Elizabeth De Roza, Michael Earley, Richard Gough | Reference: A0919 | Type: Article

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg173-174

Anna Jayne Kimmel COVID-19 dance fieldwork Pandemic performance resources theatre training Training Utopias

Stop. Rewind. Replay. - Performance, police training and mental health crisis response
Artist/Author: Natalie Alvarez | Editor: felipe Cervera, Elizabeth De Roza, Michael Earley, Richard Gough | Reference: A918 | Type: Article

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg69-75

 

Agusto Boal ethics forum theatre law mental health Natalie Alvarez performance police training Theatre of the Oppressed training Training Utopias

Decolonising Performance Pedagogy - A position paper from Bangalore, South India
Artist/Author: Shabari Rao | Editor: Felipe Cervera, Elizabeth De Roza, Michael Earley, Richard Gough | Reference: A0916 | Type: Article

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg9-10

 

body collaboration cultural identity dance Dance Training decolonial pedagogy decolonising the curriculum Indian dance Indian Heritage Indian Theatre music nationalism Shabari Rao space

They Are All at Least Seventy - An exploration of female resistance to the decline narrative in theatre and live art
Artist/Author: Beth Watton | Editor: Richard Gough, Nanako Nakajima | Reference: A0915 | Type: Article

On Ageing (&Beyond)

Performance Research Volume 24 Issue No 3 April/May 2019

pg 40-48

activism ageing Beth Watton body female body feminism identity live art Lois Weaver older women Peggy Shaw performance art queer queer feminism Retro(per)spective Rocio Bolivier Split Britches Tammy Whynot

Multilingualism on the Berlin Stage : The Influence of Language Choice, Linguistic Access and Opacity on Cultural Diversity and Access in Contemporary Theatre
Artist/Author: Ulrike Garde | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0914 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p61-80

Berlin Theatre communication cultural diversity German Theatre language Multilingualism politics Supertitling theatre Ulrike Garde

Critical Anachronisms : Wael Shawky's The Song of Rowland : The Arabic Version
Artist/Author: Katia Arfara | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0913 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p46-60

Arabic cultural heritage de-dramatisation imperialism Katia Arfara labour music musical nationalism performance politics religion storytelling translation Wael Shawky

Blackness and Self-Imaging : Lorraine O'Grady's Performance as Mademoiselle Bourgeoise Noire
Artist/Author: Vanessa Damilola Macaulay | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomassona | Reference: A0911 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p4-20

1980s Black female bodies Black performance conceptual art feminism identity Lorraine O'Grady pageant performance performance art political performance Vanessa Damilola Macaulay

Donation

£