Skip to main content

The New Economy of Art: Value, Patronage and Emerging Business Models in Contemporary Visual Art

Notes

This publication explores the current economic infrastructure supporting visual arts in the UK and its impact on individual artists and their capacity to make art.

Editor Gilane Tawadros, Russell Martin
Publisher DACS & Artquest
ISBN 978-0954815813
Reference P2652
Date 2014
Type Publication

Keywords

Similar items

Sonia Boyce: Reclassifying Classification

Artist/Author: Nizan Shaked | Editor: Ute Meta Bauer, Nav Haq, Mark Lewis, Adeena Mey, Charles Esche, Mark Lewis | Reference: A0934 | ISBN: 978-184638-217-8 | Type: Article

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

P.27-35
Nizan Shaked traces the interventions of Sonia Boyce’s work in received categories of artistic practice, considering how these interventions suggest means of classification beyond media, artistic intention and identity.

Steirischer Herbst Festival Programme 2016

Reference: P4214 | Type: Publication

Steirischer Herbst is an interdisciplinary festival for contemporary art. Since 1968, it has taken place annually in Graz and Styria, Austria, combining the visual arts, performance, theater, opera, music, and literature to varying degrees. This programme lists events during the 2016 edition of the festival.

Queering curating

Editor: Adrien Sina | Digital Reference: EF5371 | Type: Digital File

Documentation of projects undertaken by Adrien Sina, Tomasz Kitliński and Paweł Leszkowicz. Includes interviews, photos and promotional material from venues including Marlborough Pub and Theatre, Courtauld Institute of Art and Tate Britain.

Part of the Library of Performing Rights ( P3041).

Of Other Spaces - Where Does Gesture Become Event?

Editor: Sophia Yadong Hao | Reference: P4008 | ISBN: 9783956793783 | Type: Publication

Resonating with the ethos of open dialogue and the experimentation of women artists’ collectives in the 1970s and 1980s, the publication constructs a dynamic, open, and collaborative arena that foregrounds practices of resistance, collectivity, and self-organization. Exhibition catalogue: Cooper Gallery, 28 October 2016 – 16 December 2016.

Part of Library of Performing Rights (P3041).

PLAYING UP: A Live Art Game for Kids and Adults (second edition)

Artist/Author: Sibylle Peters | Reference: P3999 | ISBN: 978-0-9935611-0-8 | Type: Publication

Second edition of the artwork exploring the potential of Live Art to bridge generations.

40x40x40x40

Reference: P3997 | Type: Publication

A publication documenting the first 40 years of Artsadmin.

Site-Seeing in London: Observing Edge 88

Artist/Author: Linda Frye Burnham | Reference: A0839 | Type: Article

On the Edge 88 festival in September 1988.

In misc. folder 7.

A Year In The Country: Wandering Through Spectral Fields

Artist/Author: Stephen Prince | Reference: P3649 | ISBN: 978-0957400726 | Type: Publication

Draws together revised writings alongside new journeyings from the A Year In The Country project, which has undertaken a set of year-long journeys through spectral fields; cyclical explorations of an otherly pastoralism, the outer reaches of folk culture and the spectres of hauntology. It is a wandering amongst subculture that draws from the undergrowth of the land.

Common Affairs - Collaborative Arts Projects

Editor: Andrea Simon, Krisztina Szipocs | Reference: P3616 | ISBN: 9789639537675 | Type: Publication

Published on the occasion of the eponymous exhibition Ludwig Museum, Budapest, 30 January – 18 March.  Presents the programmes implemented during the four-year CAPP project.

In Hungarian and English.

The Liminal Eye

Reference: A0775 | Type: Article

Discusses interrelations between painting and video art. Argues that once the surface of the painting is thought of in relation to the membrane of the eye as if the painting’s surface were part of the eye itself, the painting’s surface would have to be thought of as a membrane of visible excitation that is hard to separate from vision.

Noise, Water, Meat: A History of Sound in the Arts

Artist/Author: Douglas Kahn | Reference: P3493 | ISBN: 978-0262611725 | Type: Publication

This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it–to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries.

Donation

£