Skip to main content

Let Them Call It Jazz

Notes

Adapted by Neil Bartlett from Jean Rhys. Performed by Pauline Black. Performance recorded at the Drill Hall, London, June 1991.Part of the Neil Bartlett Collection. Donated to the British Library and the Live Art Development Agency Study Room from Neil Bartlett’s personal collection.

Artist / Author Neil Bartlett
Reference D1994
Digital Ref eD1994
Date 2012
Type Digital File

Keywords

adaptation drag gay culture Jean Rhys queer theatre

Similar items

Acts of Affect: siren eun young jung’s Yeoseong Gukgeuk Project
Artist/Author: Ashley Chang | Editor: Ute Meta Bauer, Nav Haq, Mark Lewis, Adeena Mey, Charles Esche, Mark Lewis | Reference: A0936 | ISBN: 978-184638-217-8 | Type: Article

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

pg. 59-67

In Acts of Affect, siren eun young jung returns to the disappearing Yeoseong Gukgeuk theatre. In her discussion of the project, Ashley Chang examines how masculinity is produced by women.

Ashley Chang drag drag king gender gender fluidity installation lesbian masculinity photography queer siren eun young jung South Korea South Korean Theatre theatre Venice Biennale video yeoseong gukgeuk

Anomalous Tradition, Queer Enchantment: On the Work of siren eun young jung
Artist/Author: Hyunjin Kim | Editor: Ute Meta Bauer, Nav Haq, Mark Lewis, Adeena Mey, Charles Esche, Mark Lewis | Reference: A0935 | ISBN: 978-184638-217-8 | Type: Article

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

pg.49-57

Hyunjin Kim contextualises siren eun young jung’s audio-visual work at the 2019 Venice Biennale in relation to queer performance in South Korean history.

Azangman dance Deung Woo Lee disability drag drag king feminism gender politics genderqueer Hyunjin Kim installation KIRARA lesbian LGBTQI+ community performance art queer Seo Ji Won siren eun young jung South Korea theatre transgender experience Venice Biennale yeoseong gukgeuk Yii Lee

On Scent in Theatre Audience Research : Sensory Mining and Olfactory Archives
Artist/Author: Freya Verlander | Editor: Maria M. Delgado, Maggie B. Gale, Bryce Lease, Sarah Thomasson & Sir Anril Pineda Tiatco | Reference: A0931 | ISBN: 1048-6801 | Type: Article

Contemporary Theatre Review, Volume 33, Issue 3 (2023)

On Scent in Theatre Audience Research : Sensory Mining and Olfactory Archives, Freya Verlander

This article uses netnographic research methods, as a form of olfactory sensory mining, to investigate the smell-based experiences of audience members at Punchdrunk’s Sleep No More (2011).

environment fragrance immersive theatre Macbeth perfume Punchdrunk Rebecca Scent sensory Sleep No More Smell theatre

Bobby Baker : Redeeming Features of Daily Life
Artist/Author: Bobby Baker | Editor: Michèle Barrett | Reference: P4222 | ISBN: 978-0415444118 | Type: Publication

This fully-illustrated book brings together for the first time an account of Baker’s career as an artist – from her first sculptures at Central St Martins in the early 1970s to her most recent work, ‘How to Live’ and ‘Diary Drawings’ – with critical commentary by reviewers and academic practitioners.

Adrian Heathfield archive Bobby Baker domesticity drawing feminism food gender Griselda Pollock intimacy kitchen life live art Michèle Barrett performance theatre visual culture

Sex, Drag, and Male Roles : Investigating Gender as Performance
Artist/Author: Diane Torr | Editor: Stephen Bottoms | Reference: P4221 | ISBN: 978-0-472-07102-9 | Type: Publication

This title offers the gender-bending performances of Dlane Torr, creator of the Man for a Day workshops. This book documents and contextualizes the development of Torr’s internationally celebrated workshops, as well as her own ongoing experiments in performing gender-play in theaters, galleries, and clubs.

androgeny androgynous butch Danny King Diane Torr drag drag king empowerment feminine gender identity Male Role masculine masculinity memory performance queer sex Stephen Bottoms workshop

Uninstalling Normality: A Study Room Guide on Madness, Mad Pride & Questioning Normality (2024)
Artist/Author: Dolly Sen | Reference: P4219 | Type: Publication

A Study Room Guide by writer, filmmaker, artist, performer and activist Dolly Sen looking at madness and mental health

Bobby Baker Dolly Sen double consciousness identity mad pride madness normality psychiatry psychology queer Rebekah Ubuntu sanity the vacuum cleaner Vacuum Cleaner

REVIEW - On Shared Resources : Performance studies publications from a pandemic
Artist/Author: Anna Jayne Kimmel | Editor: Felipe Cervera, Elizabeth De Roza, Michael Earley, Richard Gough | Reference: A0919 | Type: Article

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg173-174

Anna Jayne Kimmel COVID-19 dance fieldwork Pandemic performance resources theatre training Training Utopias

They Are All at Least Seventy - An exploration of female resistance to the decline narrative in theatre and live art
Artist/Author: Beth Watton | Editor: Richard Gough, Nanako Nakajima | Reference: A0915 | Type: Article

On Ageing (&Beyond)

Performance Research Volume 24 Issue No 3 April/May 2019

pg 40-48

activism ageing Beth Watton body female body feminism identity live art Lois Weaver older women Peggy Shaw performance art queer queer feminism Retro(per)spective Rocio Bolivier Split Britches Tammy Whynot

Multilingualism on the Berlin Stage : The Influence of Language Choice, Linguistic Access and Opacity on Cultural Diversity and Access in Contemporary Theatre
Artist/Author: Ulrike Garde | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0914 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p61-80

Berlin Theatre communication cultural diversity German Theatre language Multilingualism politics Supertitling theatre Ulrike Garde

Project Nationalism and Theatre in Contemporary India
Artist/Author: Ashis Sengupta | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0912 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p21-45

activism Ashis Sengupta Contemporary Indian Theatre drama India Indian National Theatre Indian Theatre nation nationalism performance making politics theatre

Book Reviews - Shakespeare's Accents : Voicing Identity in Performance by Sonia Massai
Artist/Author: Elizabeth Moroney | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0910 | Type: Article

Contemporary Theatre Review, Volume 31 Issue Number 4 November 2021

accent drama Elizabeth Moroney English Theatre performance shakespeare Sonia Massai theatre Traditional Theatre voice voice acting

Towards an Eighth Fire Approach : Developing Modes of Indigenous-Settler Performance-Making on Turtle Island
Artist/Author: Melissa Poll | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0908 | Type: Article

Contemporary Theatre Review, Volume 31 Issue Number 4 November 2021

cultural tradition identity Indigenous performance indigenous-settler performance making land Melissa Poll shakespeare theatre Turtle Island

Donation

£