Skip to main content

One Day Symposium: Being Seen Being Heard (Part 2)

Notes

Being Seen Being Heard, Symposium at Sacred: Keeping the Faith, festival at Chelsea Theatre, London, 24-28 November 2011.

Artist / Author Various
Reference D1722
Date 2011
Type DVD

Keywords

Similar items

Decolonising Performance Pedagogy - A position paper from Bangalore, South India

Artist/Author: Shabari Rao | Editor: Felipe Cervera, Elizabeth De Roza, Michael Earley, Richard Gough | Reference: A0916 | Type: Article

Training Utopias

Performance Research Volume 25 Issue No. 8 December 2020

Pg9-10

 

(Untitled) Dyketactics Revisted

Artist/Author: Liz Rosenfeld | Digital Reference: EF5387 | Type: Digital File

Bodies move freely through an ambiguous urban “utopia”…or do they? Shot on 16mm film and digital video.

7 mins

The Arts Britain still Ignores?

Artist/Author: Jerri Daboo | Digital Reference: EF5370 | Type: Digital File

Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?

Trap Door: Trans Cultural Production and the Politics of Visibility

Editor: Reina Gossett, Eric A. Stanley, Johanna Burton | Reference: P4076 | ISBN: 9-780262-036603 | Type: Publication

Delves into themes as wide-ranging yet interconnected as beauty, performativity, activism, and police brutality. Collectively, they attest to how trans people are frequently offered “doors”—entrances to visibility and recognition—that are actually “traps,” accommodating trans bodies and communities only insofar as they cooperate with dominant norms.

Part of the Library of Performing Rights (P3041).

Performance y arte contemporáneo: Discursos, prácticas, problemas

Artist/Author: Juan Albarrán | Reference: P4062 | ISBN: 978-8437640341 | Type: Publication

. An introduction to performance in the territory of art: far from proposing a linear history, the volume offers a series of thematic and transversal approaches to performance.

In Spanish.

Socio-Economic Diversity and Inclusion in the Arts: A Toolkit for Employers

Editor: Jerwood Arts and Bridge Group | Digital Reference: EF5310 | Type: Digital File

A toolkit with a mission to look to the future: to support long-term change across the arts sector by sharing knowledge, providing expert support, and encouraging take-up of an intersectional approach to equality, diversity and inclusion.

Part of The Library of Performing Rights (P3041).

Split Asunder: Obstetric Violence and Pain in Máiréad Delaney’s At What Point It Breaks (20170)

Artist/Author: Kate Antosik-Parsons | Digital Reference: EF5315 | Type: Digital File

Examines the embodiment of pain in Máiréad Delaney’s performance.

Part of The Library of Performing Rights (P3041).

Donation

£