Topos

Editor: Michael Hall | Reference: P4231 | ISBN: 2631-5661 | Type: Publication

This special issue of Burlington Contemporary Journal is dedicated to drawing and has been realised in collaboration with Drawing Room. Surveying work made over the last sixty years, this issue examines the radical potential of drawing and its varied role in artistic practice. The issue includes artist commissions by Jade Montserrat and Emma McNally, and a profile of Massinissa Selmani by Roger Malbert.

Artist/Author: Hyunjin Kim | Editor: Ute Meta Bauer, Nav Haq, Mark Lewis, Adeena Mey, Charles Esche, Mark Lewis | Reference: A0935 | ISBN: 978-184638-217-8 | Type: Article

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

pg.49-57

Hyunjin Kim contextualises siren eun young jung’s audio-visual work at the 2019 Venice Biennale in relation to queer performance in South Korean history.

Artist/Author: Marcus Verhagen | Editor: Mark Rappolt, David Terrien, Skye Sherwin, J.J. Charlesworth, Laura Allsop | Reference: A0933 | Type: Article

Art Review Issue 26  / October 2008

pg. 74-81

Feature on Elmgreen & Dragset : Inconvenient Truths

Artist/Author: Bojana Janković | Editor: Maria M. Delgado, Maggie B. Gale, Bryce Lease, Sarah Thomasson & Sir Anril Pineda Tiatco | Reference: A0932 | ISBN: 1048-6801 | Type: Article

Contemporary Theatre Review, Volume 33, Issue 3 (2023)

Essential Work : Eastern European Immigrants and Models of Participation, Bojana Janković

This article investigates the relationship between a marginalised community of essential workers and dominant models of participation.

Artist/Author: Freya Verlander | Editor: Maria M. Delgado, Maggie B. Gale, Bryce Lease, Sarah Thomasson & Sir Anril Pineda Tiatco | Reference: A0931 | ISBN: 1048-6801 | Type: Article

Contemporary Theatre Review, Volume 33, Issue 3 (2023)

On Scent in Theatre Audience Research : Sensory Mining and Olfactory Archives, Freya Verlander

This article uses netnographic research methods, as a form of olfactory sensory mining, to investigate the smell-based experiences of audience members at Punchdrunk’s Sleep No More (2011).

Artist/Author: Woon Tien Wei | Editor: Claire MacDonald | Reference: A0928 | ISBN: 978-0-415-26311 | Type: Article

Performance Research Vol 6. No. 1. Spring 2001

Departures

The first of three related issues which engage with the migrations of people, performance and performance cultures, generating writing around differing geographies and histories of travel and travelling performance in a diversity of written and visual forms.

Between Journeys : an Interview with Lee Wen

Woon Tien Wei

pp. 3 – 7

Artist/Author: Idman Abdurahaman | Editor: Hannah Robathan, Erin Cobby, Isabella Pearce | Reference: A0927 | Type: Article

shado Issue 4 : Youth

Article ‘Black Radical Tradition : Centring Abolition Ecology in the Climate Climate Justice Movement’  by Idman Abdurahaman.

Artist/Author: Maddy Winters | Reference: A0923 | Type: Article

Artist/Author: Fossil Free Culture NL | Editor: Mike Pope, Noëlie Audi-Dor, Amit Singh | Reference: A0922 | Type: Article

Article in Consented Issue 9 : Environment

Artist/Author: Ama Josephine Budge | Editor: Mike Pope, Noëlie Audi-Dor, Amit Singh | Reference: A0921 | Type: Article

Article from Consented Issue 9 : Environment

Artist/Author: Stephen Ellcock, Francesca Gavin, Delaine Le Bas | Reference: P4226 | ISBN: 978-3-7533-0471-7 | Type: Publication

A publication with an essay by Stephen Ellcock in which he exemplifies the spiritual and mythological references in Delaine Le Bas’s work and in particular in the installation conceived for the Secession with references from Greek mythology and ancient Egyptian death cults.

Languages: German, English

Artist/Author: Catherine Jiang | Editor: Supervisor/Vivenne Gaskin, Tutor/Alix Slater | Reference: P4224 | Type: Publication

Can Taiwan performing/performance art be an avant-garde strategy for cultural exchanging with Shanghai e-Art Festival?

-Referring to the changing face of British Live Art.

Research study by Catherine Jiang.