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Catalogue > By Keyword > absence

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Notes from Isolation: A Logbook of Thoughts and Momentum Conversations in Times of Plagues

Artist/Author: Andrea Pagnes | Reference: P4234 | ISBN: 978-1-8380229-9-0 | Type: Publication

Performance making is a mode of enquiring about culture and a strategy to respond to societal emergencies. Collective acts of thought and expression are an existential urgency as they broaden our understanding of who we are. As the world grappled with lockdowns, fear has permeated our very beings. Notes from Isolation embodies an investigative journey wherein Andrea Pagnes —who, with Verena Stenke, forms the artist duo VestAndPage— explores the essence of existence during the COVID-19 pandemic. He then shares his notes in distant encounters with artists, poets and philosophers friends who navigate the non-linear realms: Marilyn Arsem, Lois Keidan, Joseph Morgan Schofield, Franko B, Guillermo Gómez-Peña, Stelarc, Timothy Morton, Anguezomo Mba Bikoro, and eventually Ron Athey revisiting a conversation they had a while ago. At last, performance matters: politics and science to dissect, recurring patterns of suffering and pain to surpass, religion, colonialism, and gender fluidity found a voice within the societal crises that COVID-19 accentuated. Multiple remote visions and divergent creative thinking are pooled to inspect reality while caring for humanity, as to perhaps find a way out.

‘They close the glass door behind me and say I cannot leave this area. They gave me a blue protective mask and said I must wear it whenever I exit the room or someone enters it. The mask I have to wear closes my mouth but not my eyes. The border is a transparent glass door. We can look to the other side but not cross over. I let go a quiet steeping in being. Time makes me the process.’ — Verena Stenke.

By Means of the Future

Artist/Author: Tim Etchells | Reference: A0882 | Type: Article

On Forced Entertainment, prediction, and the community of audience.

To Be or Not to Be There

Artist/Author: Angela Viora | Reference: A0829 | Type: Article

When the performer leaves the scene and makes room for the audience.

caesura

Artist/Author: Tracy Evans | Reference: D2219 | Type: DVD

An exploration of the artist's experience of giving birth under general anaesthetic.

AV documentation (no sound); 6 hours.

Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).

Nothing Here Yet Speaks, Again

Artist/Author: Annalaura Alifuoco | Reference: P2658 | Type: Publication

Document of essay presented at the Performing Documents Conference (Arnolfini, Bristol), 12-14 April 2013, exploring how performance archives can be situated in the cultural and critical context as sets of relations eliciting the meaning and force of events lived primarily in and through the in(tra)corporeal.

Lee Lozano: Dropout Piece

Artist/Author: Sarah Lehrer-Graiwer | Reference: P2419 | ISBN: 9781846381317 | Type: Publication

Sarah Lehrer-Graiwer explores one of Lee Lozano’s most challenging and elusive works, ‘Dropout Piece’.

Laura Lima

Editor: Heike Munder and Sara Arrhenius | Reference: P2349 | ISBN: 9783037643440 | Type: Publication

Documentation of works and interview with the artist.

Null Object: Gustav Metzger thinks about nothing

Artist/Author: Gustav Metzger, Bruce Gilchrist, Jo Joelson, London Fieldworks | Reference: P2147 | ISBN: 978-1-908966-12-4 | Type: Publication

ADS

Artist/Author: Richard Maxwell, New York City Players | Reference: D1522 | Type: DVD

Chelsea programme notes:In a world consumed by identity crises and at the same time dominated by advertising, how might a humble being begin to claim back space?Director Richard Maxwell: “ADS captures and refines questions I have been thinking about for a long time. What is presence? What does absence provide? What is it about performance that I like? What is it about people that I like? ” ADS offers participants an opportunity to publicly state their beliefs with one stipulation: Be sincere.”Boundary-pushing…suggests…you can create humane, affecting works of theater without the literal presence of human beings.” – Charles Isherwood, The New York TimesConceived and directed by Richard Maxwell for New York City Players

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