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The Arts Britain still Ignores?
Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?
Dance and the National Lottery
Interview with Jeremy Newton, director of the Lottery.
Who Goes to the Dance Umbrella?
De Marigny talks to Fiona Dick (Dance Umbrella Administrator) and Mark Harris, about the festival's audience survey.
Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation
Does immersive theatre model a particular kind of politics, or a particular kind of audience? What’s involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience’s empowerment stand up to political scrutiny?
Illiquid Assets
Pandering to the real or imagined demands of private finance distorts the art world, silencing dissent and stifling politically or socially engaged art in favour of consensus and what is known in the trade as ‘investment grade art’.
How John Browne, BP and the Old Boys Network keep the arts well-oiled.
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
Take the money and run?
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
The Producers - Alchemists of the Impossible
Commissioned by Arts Council England and the Jerwood Charitable Foundation to celebrate and explore the role of the producer in the arts.
The Sultans Elephant
ACE documentation from The Sultan’s Elephant.