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Catalogue > By Keyword > acting

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Theatre Blogging: the emergence of critical culture
Editor: Megan Vaughan | Reference: P4125 | ISBN: 978-1-350-06881-0 | Type: Publication

Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.

acting activism Alison Croggon Andrew Haydon Andy Field casting Catherine Love Chris Goode criticism directing diversity dramaturgy economy Edinburgh Fringe Encore Theatre Magazine experimental fee funding George Hunka history internet Isac Butler James Varney journalism Katie Mitchell labour Laura Axelrod Lyric Hammersmith Maddy Costa mainstream Matt Trueman Matthew Freeman Michael Billington money National Student Drama Festival National Theatre objectivity PR race representation reviewing Royal Court social media The Guardian theatre twitter women working conditions

Infinite Record: Archive, Memory, Performance
Editor: Karmenlara Ely, Maria Magdalena Schwaegermann | Reference: P3791 | ISBN: 978-1936767410 | Type: Publication

Documents an international artistic research project initiated by Norwegian Theatre Academy/Østfold University College.

acting archive Arnold Dreyblatt art collective dance documentation film Fredrikstad history knowledge production labour learning Louise Höjer music non-fiction pedagogy performance art residency scenography theatre Wen Hui

Man Enough to be a Woman: The Autobiography of Jayne County
Artist/Author: Jayne County | Reference: P3666 | ISBN: 978-1852423384 | Type: Publication

Wild, hilarious and shameless account of Jayne’s life from her cissy-boy childhood in Georgia to her 90s renaissance, as a new wave of superstars claim her as their inspiration.

Part of the Library of Performing Rights (P3041)

acting Berlin childhood drag drag-queen Europe gender gender bending Georgia huan rights identity music rock'n'roll sex sex work Stonewall trans USA Wayne County

Actors and the Art of Performance: Under Exposure
Artist/Author: Susanne Granzer | Reference: P3599 | ISBN: 978-1137596338 | Type: Publication

The author draws on her experience as both a theatre actor and a university professor whose teachings in the art of acting rely heavily on her own experience and also on her philosophical knowledge.

acting actor aesthetics Carroll fable Hoffmann Kleist parable performing philosophy theatre theory

Encounters in Performance Philosophy
Editor: Laura Cull, Alice Lagaay | Reference: P3589 | ISBN: 978-1137462718 | Type: Publication

A collection of 14 essays by international scholars and practitioners from across the disciplines of Philosophy, Literature and Theatre and Performance Studies, addressing the nature of the relationship between philosophy and performance.

acting affect Alan Read Alice Lagaay Arno Böhler author body character Christianity cognition consciousness corporality Denis Guénoun dialectics embodiment Emmanuel Alloa Esa Kirkkopelto ethics fiction Freddie Rokem future Gilles Deleuze identity immanence invisible J. L. Austin Jean-Luc Nancy Katja Rothe knowledge language Laura Cull literature Martin Heidegger Martin Puchner Merleau-Ponty metaphysics mimesis morality nature Nietzsche Nimrod Reitman origin Paul A. Kottman pedagogy performativity Philippe Lacoue-Labarthe Plato politics power process public religion repetition representation sacrifice self sensibility Sigmund Freud site specific Socrates speculation Sybille Krämer tragedy Walter Benjamin

The Oberon Book of Queer Monologues
Editor: Scottee | Reference: P3570 | ISBN: 978-1786823472 | Type: Publication

Combining classical and contemporary stage plays with spoken word and performance art, this anthology features over forty extracts from some of the most exciting stage works in the English-speaking world. 

acting audition body gay gender LGBTQ LGBTQIA+ queer race theatre training trans

Theatres of Learning Disability: Good, Bad, or Plain Ugly?
Artist/Author: Matt Hargrave | Reference: P3526 | ISBN: 978-1349700233 | Type: Publication

The first scholarly book to focus exclusively on theatre and learning disability as theatre, rather than advocacy or therapy.

Part of the Library of Performing Rights (LPR) (P3041).

able-bodied acting affect anxiety authenticity authorship autism Back to Back camp corporeal criticism devising diversity dramaturgy embodiment exclusion fake freak gaze gesture human rights identity ideology impairment improvisation Jez Colborne Jonathan Ide Langford learning disability M Kenny mainstream marginalisation mimesis Mind the Gap narration naturalistic normative ownership performance personhood politics presence quality rehearsal repetition resistance Ridout Schechner social model of disability spectatorship stigma symbolic theatre theory uncanny Unlimited violence virtuosity vulnerable

To All Appearances: Ideology and Performance
Artist/Author: Herbert Blau | Reference: P3507 | ISBN: 978-0415013659 | Type: Publication

The author’s concerns – which include the social meaning of illusion and the cultural manifestation of power – take the reader from Eleanora Duse to Laurie Anderson; from the puppet theatre of Kleist to Kantor’s theatre of the dead; and from the Kutiyattam temple dancers in Kerala to Womanhouse in Los Angeles.

acting AIDS Antonin Artaud Bertolt Brecht body character commodification desire directing emotions gender history ideology language Marina Abramović modernism Oedipus performance art power realism Robert Wilson Roland Barthes Samuel Beckett Sigmund Freud spectacle subjectivity theatre theory truth Vsevolod Meyerhold William Shakespeare

From Acting to Performance: Essays in Modernism
Artist/Author: Philip Auslander | Reference: P3503 | ISBN: 978-0415157870 | Type: Publication

Surveys the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s.

acting actor Antonin Artaud archetype Arthur Miller audience Bertolt Brecht body capitalism choreography cultural theory culture dance Denise Collier difference experience Fredric Jameson gender identity ideology interpretation irony Jerzy Grotowski joke Kate Bornstein Konstantin Stanislavski language Meredith Monk minimalism modernism narrative ORLAN performance Peter Brook political art politics presence resistance Richard Schechner Rosanne Barr self stand-up subjectivity Susan Foster theatre Vito Acconci Willem Dafoe women Wooster Group

It’s All Allowed: The Performances of Adrian Howells - review
Artist/Author: Antje Hildebrandt | Reference: A0736 | Type: Article

Book review.

acting Adrienne affect archiving audience authenticity autobiography bathing care Caridad Svich Christianity confession death depression directing documentation drag Edinburgh Fringe Ella Finer ethics family femininity Fintan Walsh Gary Gardiner gay Glasgay! Glasgow Helen Iball homosexuality humour Ian Johnston improvisation intimacy Jackie Wylie Jennifer Doyle Jess Thorpe Jon Cairns Kathleen Gough Katy Baird labour Laura Bissell loneliness love Lucy Gaizely Marcia Farquhar mental health Nic Green Nigel Charnock one-to-one participation performance art postdramatic theatre queer Rachel Zerihan ritual Robert Walton Rosana Cade sexuality Shelley Hastings socially engaged spirituality Stephen Greer Stewart Laing The Aches theatre Tim Crouch touch water

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