acting Adrienne affect archiving audience authenticity autobiography bathing care Caridad Svich Christianity confession death depression directing documentation drag Edinburgh Fringe Ella Finer ethics family femininity Fintan Walsh Gary Gardiner gay Glasgay! Glasgow Helen Iball homosexuality humour Ian Johnston improvisation intimacy Jackie Wylie Jennifer Doyle Jess Thorpe Jon Cairns Kathleen Gough Katy Baird labour Laura Bissell loneliness love Lucy Gaizely Marcia Farquhar mental health Nic Green Nigel Charnock one-to-one participation performance art postdramatic theatre queer Rachel Zerihan ritual Robert Walton Rosana Cade sexuality Shelley Hastings socially engaged spirituality Stephen Greer Stewart Laing The Aches theatre Tim Crouch touch water

acting Africa antitheatricality archive authenticity colonized colonizer dance dead diaspora directing director embodiment emotion Erika Fischer-Lichte evidence forgetting gender gesture Greek tragedy imitation liveness medieval theatre memory mimesis naturalism orator R. G. Collingwood recording reenactment repetition spectatorship temporality the deadness time vision William Shakespeare

acting affects Angels in America attention character embodiment emotion empathy evolution gesture imagination Konstantin Stanislavski meaning memory movement neuroscience Paul Ekman performance psychology spectatorship sympathy

acting Africa Alan Read Aleks Sierz Aleksandar Dundjerovic Ariane Mnouchkine audience Barcelona Belgium Berlin Bertolt Brecht Bosnian war Brian Singleton Britain Calixto Bieito capitalism Chekhov Christoph Marthaler cinema class classics collaborative critic criticism dance Daniel Mesguich David Barnett David Fancy Declan Donnellan devised theatre dramaturgy Eugène Ionesco Europe festivals France Frank Castorf gender politics Germany globalisation Henrik Ibsen individualism James Woodall Jan Lauwers Janelle Reinelt Jim Carmody Judith G. Miller Katie Mitchell Koltes Kristian Frédric Lev Dodin Lourdes Orozco Marthaler Marvin Carlson multimedia music narrative new writing Paris Patrice Chéreau Patrice Pavis Paul Allain Peter Boenisch Peter Lichtenfels Peter Sellars Piotr Borowski Poland realism rehearsals Rodrigo García Romeo Castellucci Russia Silviu Purcărete Simon McBurney Stephen Knapper theatre theatre design theatre text theatre training Thomas Ostermeier touring training violence visual arts William Shakespeare

acting director Iniva Institute of International Visual Arts intervention Middle East playwright Rabih Mroué revolution text

acting ADS belief Chelsea Theatre credit dependence imagination Jen Mitas Karen Christopher Lois Weaver Magic Make Believe money New York City Players Nicholas Ridout performance pretence pretending provocation reality Richard Foreman Richard Maxwell SACRED Sara Jane Bailes Sara Juli the real theatre US Radical Vallejo Gantner value

acting Adam Broinowski Aleksandar Dundjerovic Alex Mermikides Andy Lavender artistic practice Blowback Catherine Alexander City Players collaboration Complicite dance devise Elevator Repair Service ensemble Ex Machina Forced Entertainment Jen Harvie Lou Cope Lourdes Orozco Luk Perceval performance Peter Eckersall Richard Maxwell Robert Lepage Sara Jane Bailes Sarah Gorman text The Elephant Vanishes theatre Zoe Svendsen

acting body character choreography clothes collaboration collective composition conceptual art creative process culture dance death documentation duration environment experience food game history identity improvisation language media music narrative object participation performance art poetry politics presence protest reality research society text theatre therapy video