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Performance Matters - Performing Idea Laboratory - Part Two

Artist/Author: Fabrizio Manco, Jungmin Song, Terry O'Connor, Mathias Danbolt, R. Justin Hunt, Victoria Chalklin, Oriana Fox, Augusto Corrieri, Owen Parry | Reference: D2104 | Type: DVD

British Library Sound Archive recording and documentation of the “Performance Matters Lab” event, 30 April 2010. The daytime Performance Laboratory shows experimental durational and scheduled performances by some of the PhD researchers associated with the project at Goldsmiths and Roehampton University. The day will feature responses and discussions with invited thinkers around issues of duration, transmission, materiality,process, ideas and value.performance aesthetics, critical theory and cultural studies, Dr Gavin Butt from Goldsmiths, University of London, Prof. Adrian Heathfield from Roehampton University, and Lois Keidan of the Live Art Development Agency. performance aesthetics, critical theory and cultural studies, Dr Gavin Butt from Goldsmiths, University of London, Prof. Adrian Heathfield from Roehampton University, and Lois Keidan of the Live Art Development Agency. Fabrizio Manco, Jungmin Song, Terry O’Connor, Mathias Danbolt, R. Justin Hunt, Victoria Chalklin, Oriana Fox, Augusto Corrieri, Owen ParryPart two of four (D1316 – D1319).

Dingo - A Treatment Towards a New Communionism

Artist/Author: André Stitt | Reference: P1148 | ISBN: 978-1-920781-36-1 | Type: Publication

Book documenting the work presented at the gallery Artspace, Sydney, in which for 3 days the artist remains locked in a cage with a Dingo. Engaging with the themes of Joseph Beuys’ work, Stitt provides a reflection on acts of arrival and colonial encounter in relation to aesthetic activity and cultural dialogue.

Issues in Curating Contemporary Art and Performance

Artist/Author: various | Editor: Judith Rugg & Michele Sedgwick | Reference: P1006 | ISBN: 978-1-84150-162-8 | Type: Publication

In four thematic sections, a group of contributors consider curation in light of interdisciplinary and emerging practices, examine conceptions of curation as intervention and contestation, and explore curation’s potential to act as a reconsideration of conventional museum spaces.

This item is referenced in the Dreams for an Institution Guide (P2313).

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