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Catalogue > By Keyword > Alan Read

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Performing Citizenship: Bodies, Agencies, Limitations
Editor: Paula Hildebrandt, Kerstin Evert, Sibylle Peters, Mirjam Schaub, Kathrin Wildner, Gesa Ziemer | Reference: P3909 | ISBN: 978-3-319-97501-6 | Type: Publication

Discusses how citizenship is performed today, through the optic of the arts, in particular the performing arts, but also from the perspective of a wide range of academic disciplines such as urbanism and media studies, cultural education and postcolonial theory.

Part of Library of Performing Rights (P3041)

activism agency Alan Read audiences belonging body Constanze Schmidt Darren O’Donnell democracy Elke Krasny Enlightenment geheimagentur gender history housing human rights identity indigenous rights intervention Kai van Eikels Kathrin Wildner Maike Gunsilius material Michael Ziehl migration Mirjam Schaub Moritz Frischkorn Nanna Heidenreich open access Paula Hildebrandt performance politics postcolonialism responsibility rights Sergio Tamayo space Thari Jungen theory women

Encounters in Performance Philosophy
Editor: Laura Cull, Alice Lagaay | Reference: P3589 | ISBN: 978-1137462718 | Type: Publication

A collection of 14 essays by international scholars and practitioners from across the disciplines of Philosophy, Literature and Theatre and Performance Studies, addressing the nature of the relationship between philosophy and performance.

acting affect Alan Read Alice Lagaay Arno Böhler author body character Christianity cognition consciousness corporality Denis Guénoun dialectics embodiment Emmanuel Alloa Esa Kirkkopelto ethics fiction Freddie Rokem future Gilles Deleuze identity immanence invisible J. L. Austin Jean-Luc Nancy Katja Rothe knowledge language Laura Cull literature Martin Heidegger Martin Puchner Merleau-Ponty metaphysics mimesis morality nature Nietzsche Nimrod Reitman origin Paul A. Kottman pedagogy performativity Philippe Lacoue-Labarthe Plato politics power process public religion repetition representation sacrifice self sensibility Sigmund Freud site specific Socrates speculation Sybille Krämer tragedy Walter Benjamin

Imagined Theatres: Writing for a Theoretical Stage
Editor: Daniel Sack | Reference: P3221 | ISBN: 978-1138122055 | Type: Publication

Collects theoretical dramas written by some of the leading scholars and artists of the contemporary stage. These dialogues, prose poems, and microfictions describe imaginary performance events that explore what might be possible and impossible in the theatre.

academia accumulation Alan Read Andre Lepecki Andy Field Artaud audience autobiography Baz Kershaw Bonnie Marranca Brian Eugenio Herrera catastrophe Cherríe Moraga cinema Claudia La Rocco dialogue dramaturgy duration Emily Johnson endurance everyday failure Fintan Walsh Helen Paris Howard Barker immersive Jen Harvie Jennifer Parker-Starbuck Joe Kelleher John H Muse Joshua Abrams Ju Yon Kim Julia Jarcho liveness Matthew Goulish Nature Theater of Oklahoma Nicholas Ridout Peggy Phelan Petra Kuppers race Rajni Shah rehearsal Richard Schechner Romeo Castellucci technology theatre theatre space Tim Etchells walking writing

On Repetition: Writing, Performance and Art
Editor: Eirini Kartsaki | Reference: P3080 | ISBN: 978-1783205776 | Type: Publication

The collection explores repetition in relation to intimacy, laughter, technology, familiarity, and fear proposing a new vocabulary for understanding what is at stake in works that repeat.

Alan Read Alice Barnaby Andrea Brady Carrie Lambert-Beatty Christopher Smith citation Claire Hind compulsion craft dance David Lynch death drive Eirini Kartsaki Emma Bennett endings failure Frankenstein Gareth Farmer Gary Winters gaze gazing Geraldine Monk How to Become a Cupcake intimacy Jacques Derrida Judson Dance Theater Lauren Barri Holstein Linda Kemp linguistics Marina Abramović Mutability oikonomia Oikos performance art performance studies philosophy psychoanalysis Ruth McPhee Sigmund Freud Silvia Battista Slavoj Žižek sociology Stewart Lee Swen Steinhäuser The Artist is Present trauma uncanny Walter Benjamin

Contemporary European Theatre Directors
Editor: Maria M. Delgado and Dan Rebellato | Reference: P2908 | ISBN: 978-0415462518 | Type: Publication

An overview of many of the key directors working in European theatre over the past fifty years, situated lucidly in its artistic, cultural and political context. The resulting study is a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe of the 1980s and 1990s.

acting Africa Alan Read Aleks Sierz Aleksandar Dundjerovic Ariane Mnouchkine audience Barcelona Belgium Berlin Bertolt Brecht Bosnian war Brian Singleton Britain Calixto Bieito capitalism Chekhov Christoph Marthaler cinema class classics collaborative critic criticism dance Daniel Mesguich David Barnett David Fancy Declan Donnellan devised theatre dramaturgy Eugène Ionesco Europe festivals France Frank Castorf gender politics Germany globalisation Henrik Ibsen individualism James Woodall Jan Lauwers Janelle Reinelt Jim Carmody Judith G. Miller Katie Mitchell Koltes Kristian Frédric Lev Dodin Lourdes Orozco Marthaler Marvin Carlson multimedia music narrative new writing Paris Patrice Chéreau Patrice Pavis Paul Allain Peter Boenisch Peter Lichtenfels Peter Sellars Piotr Borowski Poland realism rehearsals Rodrigo García Romeo Castellucci Russia Silviu Purcărete Simon McBurney Stephen Knapper theatre theatre design theatre text theatre training Thomas Ostermeier touring training violence visual arts William Shakespeare

30 Texts for 30 Years
Artist/Author: Forced Entertainment | Reference: P2659 | Type: Publication

Collection of scores and texts markinf thirty years of Forced Entertainment. Contributors were invited to write about their experience of Forced Entertainment following one rule: each text must be exactly 365 words long.

Alan Read Andy Field Andy Smith Bob Dickinson Chris Thorpe Claire MacDonald Dan Rebellato David Micklem David Tushingham David Williams Diana Damian Martin failure game Geraldine Harris Giles Bailey Jason Crouch John McGrath Kate Valk Mark Etchells Matt Fenton Matt Locke Mike Harrison Penny McCarthy performance Ramiro S. Osório Richard Gregory Robert Clark Sarah Wishart Simon Bowes spectacle Stella Hall Stephen Hodge theatre theatricality Tim Crouch Tim Etchells

Glorious Catastrophe : Jack Smith, performance and visual culture
Artist/Author: Dominic Johnson | Reference: P1902 | ISBN: 978-0-7190-8299-3 | Type: Publication

Detailed critical analysis of the work of Jack Smith from the early 1960s until his AIDS-related death in 1989.

1960s AIDS Alan Read America Atlantis avant-garde Bachelard cultural criticism death experimental experimental theatre film gay history impromptu intervention Jack Halberstam Jack Smith Jacobs kitsch Lee Edelman lesbian Nan Goldin New York ostracism performance political queer theory Roszak sexuality street intervention Vidler visual art writing

Good Luck Everybody. Lone Twin Journeys Performances Conversations
Editor: David Williams, Carl Lavery | Reference: P1619 | ISBN: 978-1-906499-02-0 | Type: Publication

The book contextualises, documents and analyses Lone Twin’s work. It explores their interest in live performance, journeys, places, language, narrative and image, and includes original interviews, essays, performance texts and photographs.

This item is referenced in the Making Routes Study Room Guide (P1964).

Alan Read Augusto Corrieri Barry Laing body Carl Lavery collaboration conversation criticism Daniel Ladnar dialogues documentation durational Emma Brodzinski Esther Pilkington experimental performance Gary Winters Gregg Whelan John Hall language Larry Lynch Lone Twin narrative Nina Tecklenburg participation Patrick Primavesi performance performance text performance writing photography reading Rebecca Shatwell Relations Speeching Sylvie Gilbert theatre theory Thomas Frank walking water

Mark Ball, Alan Read, Laura McDermott: ICA Live Weekends: Futures and Pasts
Artist/Author: Mark Ball, Alan Read, Laura McDermott | Reference: D1437 | Type: DVD
Alan Read curation curator curatorial festival ICA Live Weekends Laura McDermott Mark Ball

Jack Smith’s Rehearsals for the Destruction of Atlantis: ‘Exotic’ Ritual and Apocalyptic Tone
Artist/Author: Dominic Johnson | Reference: A0311 | Type: Article

Engaging a series of critical models, this article examines the place of the ‘exotic’ in thinking about sexual and racial difference, as a means of thinking difficult or volatile modes of cultural practice. As such, it stages a confrontation between ‘exotic ritual’ and ‘apocalyptic tone’, to challenge conventions about scholarly practice and find new ways of examining uncomfortable spaces and modes of working.

AIDS Alan Read apocalypse Atlantis avant-garde Bachelard communal relations death experimental theatre gay intervention Jack Halberstam Jack Smith Jacobs kitsch laughter Lee Edelman lesbian Nan Goldin ostracism performance art political queer theory race ritual Roszak sexuality spatiality street intervention uncanny Vidler

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