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Catalogue > By Keyword > Alan Read

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Performing Citizenship: Bodies, Agencies, Limitations

Editor: Paula Hildebrandt, Kerstin Evert, Sibylle Peters, Mirjam Schaub, Kathrin Wildner, Gesa Ziemer | Reference: P3909 | ISBN: 978-3-319-97501-6 | Type: Publication

Discusses how citizenship is performed today, through the optic of the arts, in particular the performing arts, but also from the perspective of a wide range of academic disciplines such as urbanism and media studies, cultural education and postcolonial theory.

Part of Library of Performing Rights (P3041)

Contemporary European Theatre Directors

Editor: Maria M. Delgado and Dan Rebellato | Reference: P2908 | ISBN: 978-0415462518 | Type: Publication

An overview of many of the key directors working in European theatre over the past fifty years, situated lucidly in its artistic, cultural and political context. The resulting study is a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe of the 1980s and 1990s.

30 Texts for 30 Years

Artist/Author: Forced Entertainment | Reference: P2659 | Type: Publication

Collection of scores and texts markinf thirty years of Forced Entertainment. Contributors were invited to write about their experience of Forced Entertainment following one rule: each text must be exactly 365 words long.

Good Luck Everybody. Lone Twin Journeys Performances Conversations

Editor: David Williams, Carl Lavery | Reference: P1619 | ISBN: 978-1-906499-02-0 | Type: Publication

The book contextualises, documents and analyses Lone Twin’s work. It explores their interest in live performance, journeys, places, language, narrative and image, and includes original interviews, essays, performance texts and photographs.

This item is referenced in the Making Routes Study Room Guide (P1964).

Jack Smith’s Rehearsals for the Destruction of Atlantis: ‘Exotic’ Ritual and Apocalyptic Tone

Artist/Author: Dominic Johnson | Reference: A0311 | Type: Article

Engaging a series of critical models, this article examines the place of the ‘exotic’ in thinking about sexual and racial difference, as a means of thinking difficult or volatile modes of cultural practice. As such, it stages a confrontation between ‘exotic ritual’ and ‘apocalyptic tone’, to challenge conventions about scholarly practice and find new ways of examining uncomfortable spaces and modes of working.

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