Catalogue > By Keyword > Allan Kaprow
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Mapping the Terrain: New Genre Public Art
A critical framework for understanding and interpreting the new public art that has emerged over the last two decades. Featuring twelve essays from editor Suzanne Lacy: and eleven eminent artists, curators, and critics. Chapters titled as follows: An Unfashionable Audience, Public Constructions, Connective Aesthetics: Art After Individualism, To Search for the Good and Make It Matter, From Art-mageddon to Gringostroika: A Manifesto against Censorship, Looking Around: Where We Are, Where We Could Be, Whose Monument Where? Public Art in a Many-Cultured Society, Common Work, by Jeff Kelley, Success and Failure When Art Changes, Word of Honor, Debated Territory. This item is referenced in the Dreams for an Institution Guide (P2313).
Live Art in LA: Performance in Southern California, 1970 - 1983
Documents and critically examines one of the most fecund periods in the history of live art.
Twentieth Century Theatre: A Sourcebook
Richard Drain, Twentieth Century Theatre: A Sourcebook, performance studies, featuring performance texts and critical essays from a range of sources.
Touched
Exhibition and events shown at the 6th Liverpool Biennial. 18 September – 28 November 2010.
The ‘do-it-yourself’ artwork: Participation from Fluxus to new media
The ‘do-it-yourself’ artwork: Participation from Fluxus to new mediaThis volume consists of fifteen essays by art historians, critics and curators, which are divided into three sections. Part 1 addresses the emergence of spectator participation in the 1960s, whilst Part 2 brings together in-depth case studies of specific participatory practices in the 1960s, 1970s and 1990s, analysing the issues that they raise in their very modes of operation. The more general critical essays in Part 3 map out a range of theoretical approaches to the ‘do-it-yourself’ artwork.
Performance Artists Talking in the Eighties
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Speech Acts
An interview with American artist Sharon Hayes
Deleuze and Performance
The Art of Participation - 1950 to Now
Catalogue published on the occasion of the homonymous exhibition at the San Francisco Museum of Modern Art on view 8 November 2008 – 8 February 2009.
Getting Under the Skin - Body and Media Theory
Analyses the tension between a fragmented and holistic body concept in performance art, popular culture, new media arts, and architecture.
