Catalogue > By Keyword > Amelia Jones
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Monica Mayer: When in Doubt ... Ask - A Retrocollective Exhibit
This is the first book on Mexican artist’s broad range of production, bringing together two- and three-dimensional works, records of actions, sound and film recordings and archival materials, enabling a reading of Mayer’s place in the construction of feminist practice in Mexico. In Spanish and English.
ASCO Elite of the Obscure
Catalogue from the first retrospective to present the wide-ranging work of the Chicano performance and conceptual art group Asco. Exhibition held at the Los Angeles County Museum of Art (September – December 2011) and Williams College Museum of Art (February – July, 2012).
The Art and Films of Lynn Hershman Leeson
This first historical and critical analysis of the artist’s work by prominent scholars and the artist herself brings nearly forty years of creative output into focus by tracking the development of her constant themes through each medium. The essays range from formal to theoretical to psychological to poetical analyses. Includes a DVD.
Agnes Nedregård, Performance Works: The Big Toe
A comprehensive survey of the artist's practice, including in-depth analysis of Nedregård's performances Vertigo of the Mind, and You, Me and The Other.
Janez Janša: Life II [in Progress]
The book is based on an ongoing, long-term, extensive photographic project spanning over a five-year period, which follows a group of women (artists) through their pregnancies into motherhood.
Chris Burden: Extreme Measures
Live Collision Study Boxes Study Room Guide
A small selection of study boxes curated by Live Art Development Agency for the Live Collision Festival in Dublin, April 2014. Boxes were based around live art history, disability, activism, bodily functions, race, queer performance.
Live Art in LA: Performance in Southern California, 1970 - 1983
Documents and critically examines one of the most fecund periods in the history of live art.
Perform, Repeat, Record: Live Art in History
Bringing together contributors from dance, theatre, visual studies, and art history, the publication addresses the conundrum of how Live Art is positioned within history.
