Catalogue > By Keyword > Ana Mendieta
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Franklin Furnace: Performance and Politics
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
The Crossing of Innumerable Paths
The fourteen essays bringing together a unique gathering of artists, many of whome make works which arise out of responses to the situation or the environment in which they find themselves.
Franklin Furnace: Performance and Politics
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
To Be or Not to Be There
When the performer leaves the scene and makes room for the audience.
The Art of Cruelty: A Reckoning
Questions whether or not focusing on representations of cruelty makes us cruel. In a journey through high and low culture, the visual to the verbal, and the apolitical to the political, Nelson offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo and permissibility.
Gloria: Another Look at Feminist Art of the 1970s catalogue
Newspaper format catalogue. White Columns, New York, 13 September – 20 October 2002.
Venice International Performance Art Week 2016 - Fragile Body - Material Body
Post-event hard cover catalogue documenting the exhibition and live performances presented at the III Venice International Performance Art Week. 10-17 December 2016.
The Power of Feminist Art: The American Movement of the 1970S, History and Impact
Since its inception nearly 25 years ago, the feminist art movement has transformed the art world. Now, two professors of art history bring together 18 influential historians, critics, and artists to create this landmark volume.
Part of the Library of Performing Rights (LPR) (P3041).
Personal mapping whose responsibility is it?
Discusses outcomes of the author's curatorial and research project Fear and Gender in Public Space.
So Much Wasted: Hunger, Performance, and the Morbidity of Resistance
Anderson analyzes self-starvation as a significant mode of staging political arguments across the institutional domains of the clinic, the gallery, and the prison.
