Catalogue > By Keyword > Andre Lepecki
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Actions
A chronology of actions she performed between 2008 and 2015. The book was made in a limited edition, to be given, received, traded, lost, found, purposely lost lost, donated lent, passed on – and never sold.
Imagined Theatres: Writing for a Theoretical Stage
Collects theoretical dramas written by some of the leading scholars and artists of the contemporary stage. These dialogues, prose poems, and microfictions describe imaginary performance events that explore what might be possible and impossible in the theatre.
Disabled Theater
Using Jerome Bel's Disabled Theater – a dance piece that features a company of professional disabled actors – as the basis of a broad, interdisciplinary discussion of performance and disability, this volume explores the intersections of politics and aesthetics, inclusion and exclusion, and identity and empowerment.
Truth is Concrete A Handbook for Artistic Strategies in Real Politics
This publication charts very different tactics and strategies, written by practitioners from all over the world, mapping the broad field of engaged art and artistic activism in our times. Essays by Stephen Duncombe & Steve Lambert, Alanna Lockward, Florian Malzacher, Chantal Mouffe, Gerald Raunig and Jonas Staal.
Danse: An Anthology
A collection of key writings on choreography across the French, U.S and international dance scenes since the turn of the century.
Planes of Composition: Dance, Theory and the Global
Engages critical dance studies, philosophy, performance studies, cultural and post-colonial studies to propose new and creative dialogues between these disciplines.
Of the Presence of the Body: Essays on Dance and Performance Theory
Focuses on the historical, cultural and political contexts that inform choreographic and dance practices and critical readings of dance-in other words, how dance operates as critical discourse.
Traces of History: Jonathan Burrows’ Rethinking of the Choreographic Past
Are we here yet?
An artist’s book in which American choreographer reflects on her own practice in dialogue with several (former) Damaged Goods collaborators.
