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Four Hundred and Twenty-nine Significant Moments
Maps the artistic processes over a nine month period of the making of the art work Not a Decorator..
Edward Woodman: The Artist’s Eye
Presents Woodman’s work from his entire career, including artists’ portraits, studios, exhibitions, installations and performances, collaborations with artists, social documentation and more recent and personal works.
David Lynch: Someone Is in My House
Featuring rarely seen multimedia works, this book shows how Lynch applies his powerful imagination and visual language across genres. Exhibition publication: November 30, 2018–April 28, 2019, Bonnefantenmuseum.
Documentary
The revival of documentary in art, considered in historical, theoretical, and contemporary contexts.
What Is Performance Art?: Australian Perspectives
Looks at the rich history of performance art in Australia through a multitude of perspectives. With this collection's thirty-nine contributions by scholars, curators, and artists covering more than three decades of practice, readers will enjoy both a comprehensive overview of the Australian performance art landscape and a rich trove of personal reflections from some of its pioneers and main proponents.
On Departures: Heiner Müller meets Elon Musk
A return to the theme of the issue around ‘the migrations of people’ and ‘writing around differing geographies and histories of travel’.
Read My Lips publication
Publication accompanying a survey exhibition of image-making, community activism and public works produced by the seminal AIDS activist art collective Gran Fury between 1987 and 1995.
In misc. folder 7.
Part of the Library of Performing Rights (P3041).
Bow Gamelan Ensemble: Great Noises That Fill The Air
Retrospective review: Cooper Gallery, Dundee, 27 October to 15 December 2018.
In misc. folder 7.
Landscapes: John Berger on Art
In this collection of diverse worksessays, short stories, poems, translationswhich spans a lifetimes engagement with art.
9Questions
In 2014, artist Gustaf Broms composed a list of nine questions that he started to circulate to fellow performance artists. The responses collected are as diverse and wide-ranging as the artists and their own approaches.
