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Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice
Draws upon cognitive and affect theory to examine applications of contemporary performance practices in educational, social and community contexts. The writing is situated in the spaces between making and performance, exploring the processes of creating work defined variously as collaborative, participatory and socially engaged.
Eleanor Antin: Real Time Streaming catalogue
Illustrated catalogue accompanying the exhibition; Cornerhouse (3 March – 22 April 2001), Arnolfini (18 March – 13 May 2001), Mead Gallery (6 October – 1 December 2001).
TSWA 3D Catalogue
Catalogue of an exhibition of artwork commissioned for particularly notable and challenging sites throughout Britain & Northern Ireland.
The Thessaloniki Biennale of Contemporary Art 2009 catalogue
Catalogue for the performance festival at the 2009 Biennale – PRAXIS: Art in Times of Uncertainty.
In Greek and English.
Body Mécanique: Artistic Explorations of Digital Realms
Exhibition catalogue. 19 September 1999 – 3 January 2000, Wexner Centre for the Arts, The Ohio State University.
Marina Abramović: Cleaning the House
A monograph produced and designed in close collaboration with the artist; forms a personal scrapbook of her life and influences, ranging from Buddhism, the aboriginals of Australia and religious iconography, to Western artists such as Joseph Beuys.
Innocence & Experience catalogue
Exhibition catalogue; installation by Michael Gibbs and Claudia Koelgen. 31 May – 11 July 1992, AIR Amsterdam; 4 September – 11 October 1992, Fotografie Biennale, Rotterdam; 7 January – 13 February 1993, Zone, Newcastle.
In Dutch and English.
Lexicon of Tanjas Ostojić
Based upon the Lexicon of Tanjas Ostojić (2011-17), an interdisciplinary participatory research art project that included academic and artistic research, five creative workshops, a number of public events, one group performance, and two exhibitions involving more then 30 women.
Her Eyes Under the Bridge documentation
Documentation from the DIY 14 project, exploring how personal documents and performance can animate each other within a specific context of travelling and migration.
Echo the Now
A cinematic interpretation of the performances of Anet van de Elzen.
65 mins.
