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Pink Labor On Golden Streets - Queer Art Practices
The publication builds on an exhibition and conference at the Academy of Fine Arts Vienna that explored the contradictory standpoints of queer art practices, conceptions of the body, and ideas of ‘queer abstraction,’ a term coined by Judith Jack Halberstam that raises questions to do with (visual) representations in the context of gender, sexuality, and desire. It is particularly concerned with where form and politics crossover, citing the various combinations, juxtapositions, and the play between artistic strategies.
Maud Sulter: Passion
The first sustained publication on the artist and writer of Scottish and Ghanaian heritage who lived and worked in Britain. Originally accompanied the exhibition, Maud Sulter: Passion at Street Level Photoworks in Glasgow, 25 April – 21 June 2015.
Includes exhibition programme from Maud Sulter: Syrcas at Autograph ABP in London, 15 January – 2 April 2016.
Otherwise: Imagining Queer Feminist Art Histories
The first publication to address queer feminist politics, methods and theories in relation to the visual arts, including new media, installation and performance art. Despite the crucial contribution of considerations of 'queer' to feminism in other disciplines of the humanities, and the strong impact of feminist art history on queer visual theory, a visible and influential queer feminist art history has remained elusive.
Paul Bright’s Confessions of a Justified Sinner
In 1987, Paul Bright, a rebellious young Scottish director set out to stage James Hogg’s cult novel Confessions of a Justified Sinner in a series of radical productions across Scotland. In 2010, Untitled Projects began work with the actor George Anton to assemble an archive and exhibition of this almost-forgotten feat of theatre.
Monica Ross: A Symposium
The author reflects on the “Monica Ross: A Symposium” that took place at the British Library, London, on Friday 28 November 2014, in celebration of the institution’s acquisition of Ross’s digital archive.
Performance as Archive Archive as Performance
This publication is an edition of Track Report dedicated to the archive of the event. The University Centre Saint-Ignatius Antwerp introduces two performance artists – Harry Gamboa, a Los Angeles-based Chicano artist, and Ria Pacqué, a Belgian body and performance artist – to the master students and to the Belgian art audience through a week of lectures, seminars, explorations and actions here documented.
RUMSTICK ROAD
The video reconstruction of the 1977 production presented in this DVD keeps faith with the theater piece by registering, in a new composite, the vivid texture of time and memory that shaped the original production. Video reconstruction by Elizabeth LeCompte and Ken Kobland. This item can be found in the locked glass cabinet.
New medium, old archives? Exploring archival potential in The Live Art Collection of the UK Web Arch
This article speculates about the new kinds of historical information that performance scholars may be able to preserve as a result of recent innovations in web archiving.
Civil Twilight & Other Social Works: And Other Social Works
Documentation of projects investigating environments for societal production of civic understanding through a series of durational performances that encouraged discursive public encounters in civic squares and related urban environments.
Live Art Development Agency Study Room Guide: On Documentation
A small selection of study room material on the subject of documention.
