An exerpt from an integrated dance/film work, written, costumed, performed by and directed by Professor Aggiss, which fuses the screen mediated body and fictional and factual archive film as textually embedded into an original 60-minute live solo performance. This work continues to investigate the shifting nature of public presentation, structure and delivery systems within contemporary dance.

Document of essay presented at the Performing Documents Conference (Arnolfini, Bristol), 12-14 April 2013, exploring how performance archives can be situated in the cultural and critical context as sets of relations eliciting the meaning and force of events lived primarily in and through the in(tra)corporeal.

Existing as both a website and in free, printed form, this multi-layered, multi-voiced Guide is a key component of LADA’s “Restock Rethink Reflect Three” mapping and marking the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics. Curated by Lois Weaver in collaboration with Eleanor Roberts and LADA.

Are we there yet? Study Room Guide on Live Art and Feminism

The five works by Pauline Boudry and Renate Lorenz featured in this publication intervene in time-related discourses and practices. Texts by Mathias Danbolt, Diedrich Diederichsen, Elizabeth Freeman, Denis Pernet, Marc Siegel, conversation with the artists by Andrea Thal.

Film developed from the organisation and documentation of a Memorial for Hinchliffe held at Beaconsfield in London in 2012, and from the ongoing process of collecting and finding a safe space to house the Hinchliffe archive.

This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)

Review of Amelia Jones and Adrian Heathfield’s edited volume “Perform, Repeat, Record: Live Art in History” (2012).
 

Video recordings of the performance presented as part an extensive programme curated by Lois Keidan and Aaron Wright (Live Art Development Agency) entitled “Just Like A Woman”, composed of lectures, performances, readings, installations, screenings, workshops and debates on performance of identity, is fully dedicated to the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics.  From the 19th edition of the City of Women (Mesto žensk) festival – 2-13 October 2013, Ljubljana, Slovenia – entitled “Let's create a place for ourselves” on public space and politics.

This portfolio of photographs presents the work of Berlin-based Hannah Hurtzig and her Mobile Academy.

This double-sided catalogue accompanied the solo exhibition of the same title first held at Dolhousie Art Gallery, Halifax, Canada in 2009.

A detailed study of the role women artists played in the develpment and expansion of performance art