Catalogue > By Keyword > archive
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Vito Acconci: Diary of a Body 1969-1973
A comprehensive mid-career retrospective of Acconci's work
The Archival Turn in Feminism: Outrage in Order
Exploring the potential of archiving, cataloguing and preservation in establishing new sites of feminist storytelling and political activism.
The Stuart Hall Project
John Akomfrah presents an intimate and engaging portrait of Stuart Hall, exploring themes of memory, race and identity through the juxtaposition of events from Hall's life, and a discourse on the wider social and political events of the second half of the twentieth century
Being Mammy, (Mammy’S Looks)
Performance video commissioned by Picture This, Bristol, as part of “Ghosting”, a series of research-based commissions on the themes of archive, memory and ethnography.
Archivo Activo
Articles, documentation, blogs, and archive materials from the Pinto mi Raya Archivo Activo between 1991-2001.
The Forgotten History of the Affligare
a body of work related to The Affligare, a medieval European tribe of disabled mendicants, or ‘beggar cripples’
Archivi Affettivi / Affective Archives
Includes DVD. Catalogue for a conference in Vercelli and Turin in November 2010, Affective Archives. The catalogue gathers project documents, manifestos and contracts, open calls, addresses to the speakers and self-reflective essays, besides all the abstracts of papers and a selection of images gleaned from the spectatorial documentation that was specifically encouraged.
Wywrotka Capsizing
This work is part of a project ‘Life in Bytom’. which was presented at the CSW Kronika in Bytom, Poland, between 24 November 2012 and 26 January 2013. Duration, 27 minutes. Polish with English subtitles.
E:vent
E:vent was established by Colm Lally as an artist-run project space in 2003. The programme, which ran from 2003 to 2011, included 120 events (performances, exhibitions, talks and screenings), with contributions from over 400 artists, curators, thinkers, talkers and provocateurs of various kinds. This publication is dedicated to the vibrant and generous community of people involved in producing this rich body of work.
While You Are With Us Here Tonight
Organised around the text from ‘First Night’ (2001) the book reflects on Etchells’ practice with Forced Entertainment and solo work, while exploring contemporary performance documentation.
