Works from 2007-2009.

Performance Matters, Performance Lecture Archive, Lecture on Public Discourse, William S. Burroughs with Allen Ginsberg

Article printed from online. In black folder in Misc. box. Described by Julie Tolentino: This is the one of a few different articles that contemplates my important lifetime performance work around archive and my reverence and research around the unrelenting impact and importance of the artist-to-artist relationship.

*currently unavailable*

Mexican catalogue in conjunction with Ex Teresa Arte Alternativo.

Contributions from Gabriella Giannachi, Duncan Rowland, Steve Benford, Jonathan Foster, Matt Adams & Alan Chamberain

Box archive of Anne Bean’s Legacy Project TAPS: Improvisations with Paul Burwell co-curated by Robin Klassnik and Richard Wilson.

Includes: Lazy Student Too Apathetic To Get A Job Please Give Generously; Things #1; I Can’t Get No Consumer Satisfaction!; I Await Your Swift Reply; Postal

Also see P1517 and P1518.

This Is Performance Art: Performed Sculpture and Dance 8th April 2010 – 06 June 2010 Camden Arts Centre

This performance is centred around a series of re-enacted performances based on the works of the late American artist Stuart Sherman (1945 – 2001), a seminal though underexposed figure in the history of performance art.

Performance Matters, Performing Idea – Living Archives6th OctoberLiving Archives 3:00-7:30pmToynbee StudiosWith: Anne Bean, Rose English, Hannah Hurtzig, Janez Jan a and Heike Roms Gripped by a kind of ‘archive fever', contemporary art and culture is driven by the desire to document, store and preserve. The archive is now a vast global edifice, crossing cultures and forms and reaching further and further into the past. Fleeting exchanges and moments are everywhere evidenced in contemporary art's multiple but unstable papers, artefacts and traces. But what happens to the life of art in its archival forms? What is the archive doing with performance, performers with the archive? Speakers will address the relation between artists and the archival drive, the artist's experiences and body as a kind of living archive.

This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)