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Catalogue > By Keyword > Artangel

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Immersive Theatres: Intimacy and Immediacy in Contemporary Performance
Artist/Author: Josephine Machon | Reference: P2866 | ISBN: 978-1137019837 | Type: Publication

Charting the rise of the immersive theatre phenomenon, this is the first survey of immersive theories and practices for students, scholars and practitioners of contemporary performance. It includes interviews with immersive artists and examines key topics such as site-specific performance and immersive technologies.

Adrian Howells agency architecture Artangel attention audience Back To Back Theatre Battersea Arts Centre body collaboration community Coney dreamthinkspeak durational encounter environment experiential happening hapticity immediacy installation interaction intimacy La Fura dels Baus Lundahl & Seitl one-to-one participation politics Punchdrunk ritual Robert Wilson Silvia Mercuriali site specific WildWorks

And Europe will be Stunned
Artist/Author: Yael Bartana | Reference: P1898 | ISBN: 978-1-902201-26-9 | Type: Publication

Europe and the Middle East

uman rights and ethics

Artangel cultural identity death ethics Europe family history human rights identity installation Jewish Renaissance memory Middle East nationalism photography Poland politics race ritual trauma Venice Biennale video Warsaw

Walks of life
Artist/Author: Francis Alys, Coline Milliard | Reference: A0346 | Type: Article

Performance Matters, Trashing Performance Talks

Artangel Baudelaire CCTV Certeau Coline Milliard flaneur Francis Alys London pedesrtrianism pedestrians rafael ortega Rebecca Solnit Rob Shields the City urban urbanism walking Walks of life wanderliust

Staying: Dream, Bin, Soft Stud and Other Stories
Artist/Author: Oreet Ashery | Editor: Artangel | Reference: P1390 | Type: Publication
Artangel asylum autobiography biography black Catherine Robinson gay Jill Power Julia Austin lesbian LGBT Oreet Ashery queer

Staging the UK
Artist/Author: Jen Harvie | Reference: P0682 | Type: Publication

Examines some of the most important performance in Britain from the mid-1980s into the new millennium.

Andrew Lloyd Webber Artangel Brith Gof British Complicite criticism cultural identity diaspora DV8 festivals globalisation installation musical national identity New Labour performance physical theatre power Really Useful Group Scottish National Theatre site specific Tamasha Theatre Company theatre Tinderbox Theatre Company

Site-specific Performance and the Mobility Turn
Artist/Author: Fiona Wilkie | Reference: A0512 | Type: Article

This item is referenced in the Making Routes Study Room Guide (P1964). This item is part of the Study Room Guide to Remoteness (P2600).

America Artangel critical theory distance emplacement Fiona Wilkie global journey local Mike Kelley Mobile Homestead mobility performance place site specific travel USA

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