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Rights Here! Theatre and Law for Human Rights - documentation
A community based Human Rights Education project that uses theatre to engage young people from culturally diverse populations in dialogue about human rights with the Montreal community. Includes promotional material and photos of phases 1 and 2 and evaluation of phase 2.
Part of the Library of Performing Rights (LPR) (P3041).
Eye Candy
Live action.
Part of the Library of Performing Rights (LPR) (P3041).
1ltre of blood 100kgs of bullets / Pledge
Documentation from two performances, presented at Brisbane Arts (2007) and MAJU JAYA Performance Art Festival (2007).
Part of the Library of Performing Rights (LPR) (P3041).
Wheelchair Journeys
Unedited documentation of the 2006 street action. Part of TARIDS, Ispwich.
Part of the Library of Performing Rights (LPR) (P3041).
Blanche-Neige
Along term project involving multiple appearances of the Snow White character in a large number of unique events.
Documentation of three 2004 performances: Morsang sur Orge (France), Foundation Cartier pour l'art contemporain (France) and Arsenic Theatre (Switzerland).
Part of the Library of Performing Rights (LPR) (P3041).
The Radical in Performance: Between Brecht and Baudrillard
Investigates the crisis in contemporary theatre, and celebrates the subversive in performance.
Part of the Library of Performing Rights (LPR) (P3041).
The Do-It-Yourself Cookbook
Published on the occasion of Beautiful Creatures at Oboro, March 9 – April 13, 2013.
Part of the Library of Performing Rights (LPR) (P3041).
Art for Change- Loraine Leeson
Published on the occasion of the eponymous exhibition, held at the NGBK Berlin, from November, 4th to December 23rd 2005. In German and English.
Part of the Library of Performing Rights (LPR) (P3041).
The Grotowski Sourcebook
The first volume to provide a comprehensive overview of Jerzy Grotowski’s long and multi-faceted career.
Part of the Library of Performing Rights (LPR) (P3041).
Theatre at the Crossroads of Culture
Despite the problematic politics of cultural exchange in the theatre, interculturalism is not a one-sided process. Using the metaphor of the hourglass to discuss the transfer between source and target culture, Pavis asks what happens when the hourglass is turned upside down, when the `foreign’ culture speaks for itself.
Part of the Library of Performing Rights (LPR) (P3041).