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Refugee Performance: Practical Encounters
Editor: Michael Balfour | Reference: P3113 | ISBN: 978-1841506371 | Type: Publication

Exploring theater works created for, by, and with refugees, this hybrid collection of essays combines newly commissioned scholarly work with examples of writing by refugees themselves.
Part of the Study Room Guide on Live Art and Displacement (P3107).

AIDS Alison Jeffers Andrew Gilbert applied theatre asylum seeker audience Australia border CAPP citizenship conflict Congo Croatia culture dance directing Dwight Conquergood economy Elena Marchevska Ethiopia exile Felicia Faye McMahon Guglielmo Schininà health HIV Iraq Kaethe Weingarten language Laura Edmondson memory migration money multiculturalism narrative Nina Woodrow Niz Jabour Okello Kelo Sam Palestine participation performance text playback theatre playwriting politics Rand T. Hazou Rea Dennis refugee camp Restock Rethink Reflect 4 ritual Rob Lachowicz Robert Ajwang RRR4 Sanja Nikcevic Sarah Woodland Serbia South Sudan storytelling theatre Tom Burvill trauma Uganda United Kingdom United Nations victim war Yugoslavia Yuko Kurahashi Yvonne Sliep Zlatko Topcic

Emergency INDEX Vol 5
Editor: Yelena Gluzman, Sophia Cleary, Katie Gaydos | Reference: P3098 | ISBN: 978-1-937027-75-9 | Type: Publication

In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.

African American archiving audience autobiography black body capitalism death design documentation durational everyday family future gender history human identity installation media noise performance performance art photography politics race sculpture slavery sound transforming video writing

Avant-Garde Theatre Sound: Staging Sonic Modernity
Artist/Author: Adrian Curtin | Reference: P3108 | ISBN: 978-1349459063 | Type: Publication

Explores how artists engaged with the sonic conditions of modernity through dramatic form, characterization, staging, technology, performance style, and other forms of interaction.

abstraction acoustic aesthetics affect audience body cinema costume Dada dadaism death embodiment emotions environment Esperanto Filippo Tommaso Marinetti futurism hearing historiography Hugo Ball imaginary internationalism Kurt Schwitters language listening Maurice Maeterlinck music noise poetry politics primitivism reproduction Richard Hülsenbeck Richard Wagner semantics symbolism telephony theatre Velimir Khlebnikov vibration voice Walter Benjamin

Interactive Contemporary Art: Participation in Practice
Editor: Kathryn Brown | Reference: P3079 | ISBN: 978-1784535575 | Type: Publication

This collection of essays sheds new light on the political, ethical and aesthetic potential of participatory artworks and tests the very latest theoretical approaches to this subject.

aesthetic affect agency archive audience authorship body art capitalism Claudia Slanar cognitive capitalism collaborative community computer art criticism curating economy education ethics experience Freee Freee art collective gallery identity installation interactive Joel Robinson Josh Ginsburg Juliet Steyn manifesto Margriet Schavemaker Marina Abramović Mieke Bal Mike Parr money museum Nicola Grobler performance art public sphere Rafael Lozano-Hemmer Susan Jarosi theory time Warren Neidich

After Live: Possibility, Potentiality, and the Future of Performance
Artist/Author: Daniel Sack | Reference: P3081 | ISBN: 978-0472052868 | Type: Publication

The book conceives of traditional dramatic theater as a place for taming the future and then conceptualizes how performance beyond this paradigm might stage the unruly nature of futurity.

Antonin Artaud Aristotle audience beholder Caryl Churchill chaos dance devised theatre disappearance Edward Gordon Craig gesture Henri Bergson literalism Michael Fried performative writing redemption Romeo Castellucci Samuel Beckett Socìetas Raffaello Sanzio stillness Will Eno Witold Gombrowicz

Ouch: Pain and Performance
Digital Reference: EF5231 | Type: Digital File

A LADA screening programme for the 2016 Venice International Performance Art Week: a collection of documentation and artists’ films looking at pain and performance.

Includes:

Marina Abramovic – On ‘Rhythm O’, 1974, 2013,  3’07” ; Ron Athey – Ron’s Story, 2001, 4’44”; Marcel.Li Antunez Roca – Epizoo, 1994, 8’29; Franko B – Don’t Leave Me This Way, 2009, 5’03”; Wafaa Bilal – On ‘Shoot An Iraqi’, 2007, 2’21”; Rocío Boliver – Times Go By and I Can’t Forget You: Between Menopause and Old Age, 2013, 4’18”; Cassils – The Powers That Be, 2016, 2’24”; Bob Flanagan – Cystic Fibrosis Song, 1990’s 1’32”; Regina Jose Galindo – Lucha, 2002, 3’37”; jamie lewis Hadley – this rose made of leather, 2012, 9’10”; Nicola Hunter & Ernst Fischer  – Passion/Flower, 2012, 4’02”; Oleg Kulik – Dog House 1996, 4’10”; Martin O’Brien – Taste of Flesh, 2015, 2’59”; Kira O’Reilly – Wet Cup, 2000, 2’29”; ORLAN – Successful Operation, 1990, 6’16”; Petr Pavlensky – Radical Artist In Court – Ukraine Today News Item,  2015, 1’57”

activism addiction age ageing animals audience blood blood letting Bob Flanagan body Cassils embodiment Ernst Fischer female female body feminism fight flagellation Franko B gender health illness inflicting pain jamie lewis hadley Kira O'Reilly live art Marcel·lí Antúnez Roca Marina Abramović Martin O’Brien medicine Nicola Hunter Oleg Kulik ORLAN pain participation performance Petr Pavlensky plastic surgery politics protest Regina José Galindo Rocio Boliver Ron Athey self-harm self-inflicted pain stage fight trauma Wafaa Bilal Wellcome Collection women

Personal Shopper: A Kirkgate Market Mis-Giude
Editor: Etheridge & Persighetti | Reference: P3072 | ISBN: 978-0-9932664-9-2 | Type: Publication

Artists Katie Etheridge & Simon Persighetti team up with shoppers, traders and market enthusiasts to create a pick and mix selection of ways to navigate and explore the market as trading place, social space and playing space. The Mis-Guide was originally produced for Compass Festival.

architecture audience community Compass Live Art Faceback Leeds live art North England participation performance place-making self-direction Wrights & Sites

Perform, Experience, Re-Live BMW Tate Live Programme
Editor: Cecilia Wee | Reference: P3060 | ISBN: 978-1-84976-494-0 | Type: Publication

A limited edition publication exploring a series of innovative live performances and events.

Adrian Heathfield audience Boris Charmatz Branislava Kuburović Catherine Wood Chantal Pontbriand Chris Dercon Claire Tancons curating dance Defne Ayas documentation Helen Paris institution Jen Harvie Liu Ding live art Lois Keidan museum performance Philip Auslander Quarantine social act Suzanne Lacy Tim Etchells Turbine Hall

Breastcups
Artist/Author: Mothersuckers | Reference: P3030 | Type: Publication

Documentation from the project by Zoë Gingell and Eve Dent; includes exhibition programme, blog posts, and The Guardian review.

Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).

audience baby body breastfeeding gender interaction maternal body milk Milkwood Gallery motherhood performance video women

My Nana’s Wedding (Gown) Part One
Artist/Author: Miffy Ryan | Reference: P3028 | Type: Publication

Stills from the performance, which comprised of over 300 images and took place in 2 parts; part one is performed in a photography studio, with the photographer the only spectator.

Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).

audience death documentation family gender grandparents inheritance intimacy marriage performance women

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