Catalogue > By Keyword > audience
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Emma Smith
Documents from the performances “A Greaât Stitheram” in the Greyfriars, Lincoln, and “Change in Energy = the Work” at Arnolfini.
Being Without Walls: Art Licks Weekend 2013
Collected documents from the artist performance programme running throughout Art Licks Weekend 2013 called “Stop, Look, Listen!” – a series of performances held in public spaces across east and south east London taking work to audiences out of the gallery setting.
No Innocent Bystanders Performance Art and Audience
*currently unavailable*
This publication explores the ethical challenges with which performance art confronts its viewers speak to the reimagining of the audience.
Rehearsing Collectivity: Choreography Beyond Dance
Collections of essays with contributions by Aldo Giannotti, Boyan Manchev, Cesare Pietroiusti, David Levine, Franco “Bifo” Berardi, Ingrid Hora, Kai van Eikels, Libia Castro/Ólafur Ólafsson, Ligna, Liquid Loft/Chris Haring, Michael Koch, Nina Dick, Olivia Plender, Roman Ondák, San Keller, Tina di Carlo.
Performing Proximity Curious Intimacies
Performance artists Leslie Hill and Helen Paris of Curious document their creative processes, performances and audience's responses in a series of illuminating case studies.
UNSITELY AESTHETICS
Edited conversations addressing ‘unsitely aesthetics’ which refers to a particular aesthetics that has emerged with a mobile and nomadic shift in artistic practices and technologies.
Sonic Somatic: Peformances of the Unsound Body
Investigates sound art and its various manifestations through historical, theoretical, polemical and critical analyses of artistic, musical and literary works
Trauma-Tragedy: Symptoms of Contemporary Performance
Investigates the extent to which performance can represent the ‘unrepresentable’ of trauma.
Acts and Apparitions: Discourses on the Real in Performance Practice and Theory, 1990-2010
Examines how contemporary performance practices have been driven by questions of The Real and the consequent political implications of the concept’s disintigrating authority.
Performing presence: Between the live and the simulated
Poses questions over the nature of action, identity and the self in the relationship with media forms.
