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The Emancipated Spectator
Asking exactly what we mean by political art or the politics of art, Rancière goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, ironically, a sad affirmation of its omnipotence?
Compilation 1999-2011: Selected video and Performance Work and documentation
Artist archive.
Gob Squad Reader & Do It Yourself DVD
Durational Slideshow
Also contains ‘A True Story About Two People’
Make Yourself Comfortable
Artist documentation.
Theatre and Feeling
Part of Palgrave Mcmillan’s ‘small books on theatre and everything else’ series, co-edited by Jen Harvie and Dan Rebellato.
The ‘do-it-yourself’ artwork: Participation from Fluxus to new media
The ‘do-it-yourself’ artwork: Participation from Fluxus to new mediaThis volume consists of fifteen essays by art historians, critics and curators, which are divided into three sections. Part 1 addresses the emergence of spectator participation in the 1960s, whilst Part 2 brings together in-depth case studies of specific participatory practices in the 1960s, 1970s and 1990s, analysing the issues that they raise in their very modes of operation. The more general critical essays in Part 3 map out a range of theoretical approaches to the ‘do-it-yourself’ artwork.
Life [in Progress]
This book is the printed extension of Janez Jan a’s installation Life [in Progress]. Complete with photo cards and carry bag.Life [in Progress] is composed of written, photo, and video instructions. The spectators are the actors; walking past the instructions they create the performance according to their own rhythm, sensibility, belief and (non-) activity.
Shelved in Oversize publications section.
Margate’s 1st Beaux Arts Ball
Dead Season Live Art 2010, Margate. Limbo Arts. See P1496 for full Dead Season Live Art programme.
