Catalogue > By Keyword > audience
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Dangerous Dances
This text finds the intimate affinity between dance and philosophy in the concept of problem and invites the reader to perceive dance and philosophy as a form of ballistics: the art of throwing.
Activating Cities
A practical handbook on the lost art of getting lost, reading the signs around you, following their lead, and creating your own.
Posthuman Spiritualities in Contemporary Performance: Politics, Ecologies and Perceptions
Examines five performance/artworks: The Artist is Present (2010) by Marina Abramović; The Deer Shelter Skyscape (2007) by James Turrell; CAT (1998) by Ansuman Biswas; Journey to the Lower World by Marcus Coates (2004); and the work with pollen by Wolfgang Laib.
The Aesthetics of Disengagement: Contemporary Art and Depression
Shows how contemporary art is a powerful yet largely unacknowledged player in the articulation of depression in Western culture, both adopting and challenging scientific definitions of the condition. Ross explores the ways in which contemporary art performs the detached aesthetics of depression, exposing the viewer's loss of connection and ultimately redefining the function of the image.
Life After Extinction
On the participatory performances of Robyne Latham.
With For About 3: Making a Meal of It
Publication on the annual conference about socially engaged art organised by Heart of Glass in St Helens. Participants were invited to collectively source local ingredients and create, serve and eat a meal.
Cultural Democracy in Practice
A guide exploring how to embed democratic practice within arts and cultural organisations. In misc folder 7.
do it 20 13
A series of written artists’ instructions, each of which is interpreted anew every time it is enacted. Instructions here were part of the Manchester International Festival at the Manchester Art Gallery, 2013.
No one should have seen this. The theatre of Via Negativa, 2002 - 2011
A chronological review of a decade of endeavours by one of the most astute Slovenian projects of contemporary performing arts. The publication with extensive visual material and excerpts from texts documents 29 performances accompanied by Dr Blaž Lukan’s essay Erasing the Audience which analyses the company’s performing strategies.
Abramović Method for Treasures programme
Taking her starting point in sources such as the letters of Kierkegaard, Saxo's chronicles of Danish history, and the observations of Tycho Brahe, Abramović has created an immersive total installation that includes a range of rituals, an audio system and specially designed shelves for people.
The Royal Danish Library, Copenhagen, 21 June 2017 – 21 March 2020.
