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Von Menschen gemacht

Artist/Author: Eva Meyer-Keller | Digital Reference: EF5260 | Type: Digital File

A film about the future by Eva Meyer-Keller, Hanna Sybille Müller and the children who took part in the performance project  Building after Catastrophes.

Performing Communities: Grassroots Ensemble Theaters Deeply Rooted in Eight U.S. Communities

Editor: Robert H. Leonard | Reference: P3295 | ISBN: 978-0976605447 | Type: Publication

Profiles established ensemble groups from inner-city Los Angeles, small-town northern California, African-American South, multicultural southern Texas, low-income central Appalachia, economically struggling South Bronx New York, and cross-continental Native America.

Part of the Library of Performing Rights (LPR) (P3041).

ART IN CONTEXT: Learning from the Field

Editor: Herman Bashiron Mendolicchio and Susanne Bosch | Reference: P3171 | ISBN: 9 783945 048245 | Type: Publication

21 passionate statements from practitioners in the field of participatory art from Myanmar, Japan, Germany, Malaysia, Thailand, Indonesia, the Philippines, Singapore, Hong Kong and China. Their contributions help to define a complex practice, that takes many forms and is called by many names, but is united by a spirit of giving, receiving and reciprocating in art-making.

PRAXIS Vol 1: Of People, Place & Time

Editor: Chrissie Tiller and Patrick Fox | Reference: P3166 | ISBN: 978-0-9935611-1-5 | Type: Publication

Taking two years of projects and initiatives by Heart of Glass, a national agency for collaborative and social practice based in St Helens, as its starting point, the publication explores the interface between theory and practice.

A Good Night Out: Popular Theatre; Audience, Class and Form

Artist/Author: John McGrath | Reference: P3155 | ISBN: 978-1854593702 | Type: Publication

The classic manifesto on popular theatre by the founder of the 7:84 Theatre Companies. Looking at the ways different classes take their entertainment, he puts the case for what theatre could be doing for the populace instead of walling itself up in subsidised fortresses for the well-to-do.

Part of the Study Room Guide on Live Art and class and cultural privilege. (P3152)

Performance in Place of War

Artist/Author: James Thompson, Jenny Hughes and Michael Balfour | Reference: P3134 | ISBN: 978-1906497149 | Type: Publication

The book looks at theatre and performances that often occur quite literally as bombs are falling, as well as during times of ceasefire and in the aftermath of hostilities. Includes interviews with artists, short play extracts, and photographs.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Disability, Public Space Performance and Spectatorship: Unconscious Performers

Artist/Author: Bree Hadley | Reference: P2699 | ISBN: 9781137396075 | Type: Publication

This book investigates the daily social drama that positions people with disabilities as figures of tragedy, stigma or pity, and the aesthetics, politics and ethics of performance practices that intervene very directly in this drama.

Access All Areas: Guidelines for marketing the arts to people with disabilities

Artist/Author: Neridah and Pam Wyatt-Spratt, et al. | Reference: P2618 | ISBN: 0-642-58806-6 | Type: Publication

This publication was prepared by Accessible Arts and Arts Access for the Australia Council and contains some information from the Arts Council of England's Guidelines for Marketing to Disabled Audiences.

Creative Interactions

Artist/Author: Norman Frisch and Tom Sellar | Reference: A0591 | Type: Article

Dramaturg and curator Norman Frisch discusses qualities that distinguish theater from other “time-based art,” highlighting connections to mystery and classicism. 

Programme Notes: Case studies for locating experimental theatre, second edition

Editor: Lois Keidan, CJ Mitchell | Reference: P2120 | ISBN: 978-1-84943-459-1 | Type: Publication

Programme Notes: Case studies for locating experimental theatre, revised and expanded second edition is a collection of commissioned essays, case studies and interviews reflecting the exciting and complex relationships between ‘mainstream’ stages and ‘experimental’ theatre practices. This revised and expanded edition includes the original contributions (from the first edition, published 2007) whilst illustrating some of the seismic shifts that have taken place across the theatre landscape of the UK since 2007 through profiles of the work of Manchester International Festival, National Theatre Scotland, BAC (Battersea Arts Centre) and Forest Fringe.

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