Explores personal criticism: an explicitly autobiographical performance within the act of criticism.

Find article in misc. folder 2. This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)

This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)

Short summaries of projects

a collection of Chakravarthi's early photographic self-portraits. Mostly unseen and made with low costs and in low conditions, he speaks about them for the first time and reveals how and why these early portraits were created and informed his current artistic practice. In conversation with Andrew Mitchelson, Chakravarthi talks about his early influences and experiences of being raised in India, childhood experiences in London and being an outsider in both cultures. An on-demand dvd, published by Live Art Development Agency, 2009, DVD-PAL, 65 minutes. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)

Article examining Adrian Howell’s performance work in terms of intimacy between performance and audience. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)

Part autobiography, part archive, part historical meditation and part theoretical speculation on the first ten years of the company’s work.

An account of Bobby Baker’s career by Adrian Heathfield, Marina Warner, Geraldine Harris, Helen Iball, Elaine Aston, Roy Foster, Michelle Barrett, Griselda Pollock, (Inc. info on Central St Martins, ‘How to Live’, ‘Diary Drawings’). This item is part of the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115)

This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)