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Catalogue > By Keyword > Bertolt Brecht

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Critical Theory and Performance
Editor: Janelle G. Reinelt, Joseph R. Roach | Reference: P3952 | ISBN: 978472064588 | Type: Publication

Presents a broad range of critical and theoretical methods, and applies them to contemporary and historical performance genres.  Revised and Enlarged Edition

AIDS Bertolt Brecht body cabaret Cantonese opera circus critical race theory cyberspace dance Dwight Conquergood gender studies historiography history HIV Jazz Jill Dolan labour LGBTQ Molier Molière money opera Peggy Phelan performance analysis performance art play politics postcolonial studies psychoanalysis Richard Schechner ritual semiotics sexuality stand-up street theatre William Shakespeare

Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice
Artist/Author: Nicola Shaughnessy | Reference: P3535 | ISBN: 978-1349317059 | Type: Publication

Draws upon cognitive and affect theory to examine applications of contemporary performance practices in educational, social and community contexts. The writing is situated in the spaces between making and performance, exploring the processes of creating work defined variously as collaborative, participatory and socially engaged.

aesthetics affect applied performance applied theatre archive autobiography Bertolt Brecht body Bruce McConachie cognition cognitive theory culture digital durational Edward Casey emotion empathy environment Erika Fischer-Lichte ethics Geraldine Harris immersive installation intervention LIFT live art liveness Magic Me Mark Storer memory museum participation politics praxis site specific space Spare Tyre Tim Webb

To All Appearances: Ideology and Performance
Artist/Author: Herbert Blau | Reference: P3507 | ISBN: 978-0415013659 | Type: Publication

The author’s concerns – which include the social meaning of illusion and the cultural manifestation of power – take the reader from Eleanora Duse to Laurie Anderson; from the puppet theatre of Kleist to Kantor’s theatre of the dead; and from the Kutiyattam temple dancers in Kerala to Womanhouse in Los Angeles.

acting AIDS Antonin Artaud Bertolt Brecht body character commodification desire directing emotions gender history ideology language Marina Abramović modernism Oedipus performance art power realism Robert Wilson Roland Barthes Samuel Beckett Sigmund Freud spectacle subjectivity theatre theory truth Vsevolod Meyerhold William Shakespeare

From Acting to Performance: Essays in Modernism
Artist/Author: Philip Auslander | Reference: P3503 | ISBN: 978-0415157870 | Type: Publication

Surveys the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s.

acting actor Antonin Artaud archetype Arthur Miller audience Bertolt Brecht body capitalism choreography cultural theory culture dance Denise Collier difference experience Fredric Jameson gender identity ideology interpretation irony Jerzy Grotowski joke Kate Bornstein Konstantin Stanislavski language Meredith Monk minimalism modernism narrative ORLAN performance Peter Brook political art politics presence resistance Richard Schechner Rosanne Barr self stand-up subjectivity Susan Foster theatre Vito Acconci Willem Dafoe women Wooster Group

Disobedient Theatre Alternative Ways to Inspire, Animate and Play
Artist/Author: Chris Johnston | Reference: P3421 | ISBN: 978-1350014541 | Type: Publication

Divided into two parts, `In the World’ and `In the Room’, the book presents a rounded picture of the possibilities of a `disobedient’ culture and includes many games and exercises for creative practitioners.

activism actor Adrian Heathfield agency arts funding audience Augusto Boal Bertolt Brecht Chris Goode culture devising education Joan Littlewood Keith Johnstone Milo Rau performer playwriting politic prison Roland Muldoon theatre volunteer workshop

Black Performance on the Outskirts of the Left: A History of the Impossible
Artist/Author: Malik Gaines | Reference: P3460 | ISBN: 978-1479837038 | Type: Publication

Illustrates the black political ideas that radicalized the artistic endeavors of musicians, playwrights, and actors beginning in the 1960s.

alienation Ama Ata Aidoo ambivalence Bertolt Brecht black black power blackness Cockettes diaspora difference Efua Sutherland Europe excess film gender Germany Ghana Günther Kaufmann history identity identity politics intertexuality Josephine Baker Kwame Nkrumah Lorraine Hansberry Marxism multiplicity music Nina Simone performance politics race racism Rainer Werner Fassbinder sexuality slavery Sylvester theater transgression transnationalism USA Venice Biennale W.E.B. Du Bois West Africa

Collaborative Theatre: The Theatre du Soleil Sourcebook
Editor: David Williams | Reference: P3312 | ISBN: 978-0415086066 | Type: Publication

The first in-depth sourcebook in English on the compant, providing first-hand accounts of the development of its collectivist practices and ideals.

Part of the Library of Performing Rights (LPR) (P3041).

1789 actor Ariane Mnouchkine audience Bertolt Brecht character collaboration costume dance devising directing Greek drama Guy-Claude Francois history human rights Kabuki L'Age d'Or mask music Rajeev Sethi Richard II theatre universal declaration of human rights William Shakespeare

Media Parasites in the Early Avant-Garde: On the Abuse of Technology and Communication
Artist/Author: Arndt Niebisch | Reference: P3103 | ISBN: 978-1137276858 | Type: Publication

Niebisch retraces how the early Avant-Garde movements started out as parasites inhabiting and irritating the emerging mass media circuits of the press, cinema, and wired and wireless communication.

abuse art of noise articulation Berlin Bertolt Brecht Cabaret Voltaire chaos cinema collage Dada electromagnetism ether Filippo Tommaso Marinetti film Friedrich Kittler futurism hermeneutics history Hugo Ball irritation Michel Serres military modernism painting performance Poetics politics randomness Raoul Hausmann Richard Hülsenbeck stage subjectivity telegraph typography Umberto Boccioni visuality Walter Benjamin war Zürich

Performances of Capitalism, Crises and Resistance: Inside/Outside Europe
Editor: Marilena Zaroulia and Philip Hager | Reference: P3039 | ISBN: 978-1137379368 | Type: Publication

This engaging study examines the issue of crisis in European performance since the collapse of global financial markets in 2008. The book’s chapters examine diverse performances of crisis primarily in three cities with a loaded past and present for Europe, as idea and geopolitical reality: London, Athens and Berlin.

activism austerity Aylwyn Walsh Bertolt Brecht biopolitics border border crossing British Museum capitalism colonialism Cristina Delgado-Garcia David Cameron debt dispossession Emma Cox Entitled EU European Union Euroscepticism eurozone Florian Thamer geography Giulia Palladini hope human rights labour learning London Stock Exchange Louise Owen Marilena Zaroulia Marissia Fragkou multiculturalism National Theatre nationhood neoliberalism Occupy LSX Other performance Philip Hager politics protest public space Quarantine Rachel Clements repatriation resistance revolution Rimini Protokoll riot subjectivity Tina Turnheim unemployment urbanisation value visibility Weimar Republic xenophobia

Theatre and Photography
Artist/Author: Joel Anderson | Reference: P3018 | ISBN: 978-0230276710 | Type: Publication

Anderson explores the theory and practice of photographing theatre and performance, as well as theatre and photography’s mutual preoccupation with posing, staging, framing, and stillness.

Bertolt Brecht camera cinema Edinburgh Festival epic theatre likeness Philip Auslander photographs Raymond Williams realism selfie semiology tableau vivant Walter Benjamin

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