Catalogue > By Keyword > blood
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Tender Blood
A union using violence as a language to express affection.
Drawn: Totems Footnotes Reflections
Publication 'arrived' after participation in a six-day festival curated by ]performance S p a c e[ in 2016.
Death is Certain video version
Thirty-six mini scenarios of torture and execution which transform the small immaculate bodies of fruit into figures that seem to increasingly identify themselves with human beings.
Death is Certain performance version
Thirty-six mini scenarios of torture and execution which transform the small immaculate bodies of fruit into figures that seem to increasingly identify themselves with human beings.
1ltre of blood 100kgs of bullets / Pledge
Documentation from two performances, presented at Brisbane Arts (2007) and MAJU JAYA Performance Art Festival (2007).
Part of the Library of Performing Rights (LPR) (P3041).
Long Suffering: American Endurance Art as Prophetic Witness
Links avant-garde performance practices with religious histories in the United States, setting contemporary performances of endurance art within a broader context of prophetic, religious discourse in the United States
Regina José Galindo documentation
Includes:
– Artist bio & CV
– Hermana, 2010, 1'50''
– Himenoplastia, 2004, 7'21''
– Juegos de poder, 2009, 11'10''
– La Verdad, 2013, 1:10'
– Lucha, 2002, 3'38''
– Perra, 2005, 5'31''
Ouch: Pain and Performance
A LADA screening programme for the 2016 Venice International Performance Art Week: a collection of documentation and artists’ films looking at pain and performance.
Includes:
Marina Abramovic – On ‘Rhythm O’, 1974, 2013, 3’07” ; Ron Athey – Ron’s Story, 2001, 4’44”; Marcel.Li Antunez Roca – Epizoo, 1994, 8’29; Franko B – Don’t Leave Me This Way, 2009, 5’03”; Wafaa Bilal – On ‘Shoot An Iraqi’, 2007, 2’21”; Rocío Boliver – Times Go By and I Can’t Forget You: Between Menopause and Old Age, 2013, 4’18”; Cassils – The Powers That Be, 2016, 2’24”; Bob Flanagan – Cystic Fibrosis Song, 1990’s 1’32”; Regina Jose Galindo – Lucha, 2002, 3’37”; jamie lewis Hadley – this rose made of leather, 2012, 9’10”; Nicola Hunter & Ernst Fischer – Passion/Flower, 2012, 4’02”; Oleg Kulik – Dog House 1996, 4’10”; Martin O’Brien – Taste of Flesh, 2015, 2’59”; Kira O’Reilly – Wet Cup, 2000, 2’29”; ORLAN – Successful Operation, 1990, 6’16”; Petr Pavlensky – Radical Artist In Court – Ukraine Today News Item, 2015, 1’57”
Performing Animality: Animals in Performance Practice
Theoretical and creative interventions into the presence of the animal and ideas of animality in performance.
101 Tragedies of Enrique Metinides
Enrique Metinides's choice of the 101 key images from his life photographing crime scenes and accidents in Mexico for local newspapers and the nota roja (or red pages, for their bloody content) crime press. An accompanying exhibition, which launched at Rencontres d'Arles in July 2011, toured to venues in Europe and the Americas.
