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Bodily Remembrances: the performance of memory in recent works by Amanda Coogan
Artist/Author: Kate Antosik Parsons | Editor: A0739 | Reference: A0739 | Type: Article

Provides a feminist reading of Yellow (2008) and How to explainthe sea to an uneaten potato (2008) in order to explore how her performances use corporeal strategies to engage with memory.
 

body Catholic church duration feminism feminist art gender identity Irish studies Irish woman Magdalene Laundries memory performance art women

Performing Failure? Anomalous Amateurs in Jérôme Bel’s Disabled Theater and The Show Must Go On 2015
Artist/Author: Sarah Gorman | Reference: A0735 | Type: Article

The article interrogates the use of amateur and professional disabled performers in the emerging strain of performance practice known as ‘performing failure’.

amateurism body Candoco Dance Company dance disability ethics failure Poetics professionalism Sadler's Wells Theater HORA theatre

Marina Abramović: The Cleaner
Editor: Lena Essling | Reference: P3222 | ISBN: 978-3775742627 | Type: Publication

Book published in conjunction with the eponymous exhibition at Moderna Museet, Stockholm (February-May 2017), Louisiana Museum of Modern Art, Humlebaek (June-October 2-17) and Bundeskunsthalle, Bonn (April-August 2018).

512 hours Adrian Heathfield Balkan Baroque Belgrade body Bojana Pejic Devin Zuber duration endurance Freeing the Memory Freeing the Voice gender Lovers manifesto Marina Abramović Nightsea Crossing performance art rhythm Rhythm 0 The Artist is Present The Onion Tine Colstrup Truck Accident Ulay women Yugoslavia

Walk Through Walls: A Memoir
Artist/Author: Marina Abramovic | Reference: P3202 | ISBN: 978-0241235645 | Type: Publication

This memoir spans Abramovic's five decade career, and tells a life story that is almost as exhilarating and extraordinary as her groundbreaking performance art. 

Amsterdam Belgrade body communism danger exhaustion family Great Wall of China mother New York pain performance art risk Serbia spirituality The Artist is Present Ulay video art Yugoslavia

Art Sex Music
Artist/Author: Cosey Fanni Tutti | Reference: P3200 | ISBN: 978-0571328512 | Type: Publication

Autobiography of an artist who, as a founding member of the avant-garde group Throbbing Gristle and electronic pioneers Chris & Cosey, has consistently challenged the boundaries of music over the past four decades.

1970s Biennale de Paris biography body COUM Transmissions diary erotica ethics happenings ICA installation Institute of Contemporary Arts journal morality music performance art pornography Prostitution striptease visual art

Trans-Spectator: The spectator’s bodily participation in Via Negativa’s performance Bi ne bi
Artist/Author: Tomaž Krpič | Editor: Amelia Jones | Reference: A0733 | Type: Article

Explains the concept of the trans-spectator using the Slovenian theatre group performance (Would Would Not, 2005) as an example.

audience body Europe fourth wall participant participation performance performer performing body theatre transgression via negativa

Schooling the Spectator in O
Artist/Author: Kristen Cochrane | Editor: Natasha Lushetich and Mathias Fuchs | Reference: A0731 | Type: Article

On Project O’s performances at the Forest Fringe Microfestival, Progress Festival, Theatre Centre, Toronto, Canada, February 2016

Alexandrina Hemsley audience black black body black identity body choreography dance ethnicity gender Ima Read Jamila Johnson-Small minority performance race women Zebra Katz

On the Dialectics of Charisma in Marina Abramović’s The Artist is Present
Artist/Author: Adele Senior & Simon Kelly | Editor: Eleanor Massie and Philip Watkinson | Reference: A0730 | Type: Article

The article examines the appearance of the term ‘charismatic space’ in relation to Marina Abramović’s retrospective at New York’s Museum of Modern Art in 2010. 

audience body energy ethics performance art performance studies power presence spectator spirituality subjectivity

Enmeshed bodies, impossible touch: the object-oriented world of Pina Bausch’s Café Müller
Artist/Author: João Florêncio | Editor: Richard Allen and Shaun May | Reference: A0726 | Type: Article

The addresses the nonhuman bodies of Café Müller and claim that Bausch’s piece resonates with the work of contemporary philosopher Graham Harman, in that it tries to go beyond human exceptionalism to present a world where all bodies, regardless of their perceived nature, are simultaneously tightly enmeshed together and inaccessible to one another.

alienation body choreography criticism dance ecology gender nonhuman Opernhaus Wuppertal postmodernism power scenography set design Tanztheater Wuppertal theory violence

Death and the anthropomorphic life of objects in performance
Editor: Richard Allen and Shaun May | Reference: A0725 | Type: Article

On Marina Abramović’s Nude with Skeleton and other animations.

body breathing Buddhism fake fear of death Gyula Molnar live art Martin Heidegger MoMa object theatre pain performance art real Small Suicides The Artist is Present The Life and Death of Marina Abramovic

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