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Sacred 2009 - I’m Thinking of You (version 2)
Performances and post show talk with Ron Athey, 14 November 2009. Part of “Sacred”, a season of contemporary performance at the Chelsea Theatre, London, 21 October – 22 November 2009. In collaboration with brut, Vienna. No. 3 of 26. For the complete series see REF. D1396-D1421.
alumnos dLive
Performances responding to the Pack Performance (Do it yourself) by Joshua Sofaer.
Marina Abramović Artist Body: Performances 1969 - 1998
Monography on Marina Abramovic’s work. Chronological survey of Solo and Collaborative Performances (with Ulay) from 1969 to 1998.This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Obsolescenza del Genere - Human Installation
Leaflet in Italian.
Marina Abramović + The Future of Performance Art
Publication documenting two majour events: Marina Abramovic Presents… (Manchester, 2009) and The Pigs of Today are the Hams of Tomorrow (Plymouth, 2010), exploring ways to encapsulate the art form after the performance is physically completed and exploring methods for preserving live art. Featuring artists: Davide Balliano; Snezana Golubovic; Tellervo and Oliver Kalleinen; Eva and Franco Mattes; Performance Re-enactment Society; Paul Clarke; Clare Thornton; Tom Marshman and Francesca Steel
The Feminism and Visual Culture Reader
Collection of texts concerning a diversity of issues relating to feminism and visual cultures, arranged thematically and introduced by the editor. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
The Bodies That Were Not Ours and Other Writings
Gathers together Fusco’s finest writings since 1995 and includes critical essays by Jean Fisher and Caroline Vercoe that interpret her work.
Traces of Dance: Drawings and Notations of Choreographers
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
Pais Para Quien
Amazing Art and Damaged Dance
XXXmissing. This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)