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Catalogue > By Keyword > capitalism

106 results | Page 1 of 11

The Undercommons: Fugitive planning & black study

Artist/Author: Stefano Harney, Fred Moten | Reference: P4112 | ISBN: 978-1570272677 | Type: Publication

Draws on the theory and practice of the black radical tradition to support, inspire and extend contemporary social and political thought and aesthetic critique.

Laindon 2: The Unauthorised Novelisation

Artist/Author: Maz Murray | Reference: P4100 | Type: Publication

Part 2 of a serialised story.

The Animation of Contemporary Subjectivity in Tino Sehgal’s Ann Lee

Artist/Author: Katerina Paramana | Reference: A0887 | Digital Reference: A0887 | Type: Article

Explores Ann Lee as the subject par excellence of contemporary neoliberal capitalism.

Zine / poetry collection

Artist/Author: Linden Katherine McMahon | Reference: P4097 | Type: Publication

Includes: Pride (poem), Alter treego (poem), Fat Kid Manifesto (poem, extract from Fat Kid Running), Daring the City to Fall into it (poems + a short story), No guilt in Pleasure (zine)

The Star of the Show: Trademark, theatricality and ‘the grandmother of performance art’

Artist/Author: Bryony White | Reference: A0881 | Type: Article

Explores how Marina Abramović has subtly incorporated the law to her economic and professional advantage.

Arts of the Working Class: the Americas Issue

Editor: Elizabeth Otto, The Winter Office | Reference: P4038 | Type: Publication

The 7th issue of the newspaper is the first one to focus on a region; it commits to reconsidering Americas colonial stories and their marks on its present global condition. In multiple languages.

Part of the Library of Performing Rights (P3041)

Black Performance Theory

Editor: Thomas F. DeFrantz and Anita Gonzalez | Reference: P4026 | ISBN: 978-0-8223-5616-5 | Type: Publication

Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance.

Part of the Library of Performing Rights (P3041)
 

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