Catalogue > By Keyword > Carolee Schneemann
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Rose Garrard: Redressing the balance
Exhibition catalogue. 12/11 – 4/12 1987. In German.
Animals
The emergence of contemporary art, engaging widely with other disciplines, as a platform for exploring animal nature.
Gloria: Another Look at Feminist Art of the 1970s catalogue
Newspaper format catalogue. White Columns, New York, 13 September – 20 October 2002.
The Triumph of Anti-Art: Conceptual and Performance Art in the Formation of Post-Modernism
Guides the reader through a thicket of seemingly arcane meanings of nonrepresentational art forms, and brings clarity to the intentions and agendas of these artists, as well as to their real world contexts.
On Innovative Performance(s): Three Decades of Recollections on Alternative Theater
A collection of essays from the leading avant-garde critic of the era focuses on individual performances and performers, providing a unique critical record of their work and of the movement.
The Power of Feminist Art: The American Movement of the 1970S, History and Impact
Since its inception nearly 25 years ago, the feminist art movement has transformed the art world. Now, two professors of art history bring together 18 influential historians, critics, and artists to create this landmark volume.
Part of the Library of Performing Rights (LPR) (P3041).
Catalogue - Venice International Performance Art Week 2014: Ritual Body - Political Body
Festival catalogue.
art is (speaking portraits)
The volume is drawn from the ongoing video work art is/poetry is/music is (Speaking Portraits), which features over 1000 artists–painters, poets, musicians, dancers, actors, video-/filmmakers–in eleven countries saying what art is. art is offers an intimate view of seventy of those engaged in art as performance.
Profeminist WHITE FLOWERS
The book is an integral part of a retrospective exhibition; expressing belief systems and psychic connections, it represents the heart and soul of Sands' current work. Includesa poster and an invitation card.
Third Area: A Feminist Reading of Performance at London’s ICA in the 1970s
A PhD thesis offering a new account of the emergence of performance forms, including Happenings, participatory art, performance art and performances for the camera, in visual art and related contexts at the ICA.
