Catalogue > By Keyword > Caroline Smith
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The Performance Dinners
Documentation of The Subjectivity and Feminisms Research Group’s Performance Dinners, in which artists and academics are invited to ‘perform’ their response to the evening’s theme, addressing the relationship between subjectivity and the artwork, particularly in regard to feminist theories. Contributors: Mo Throp, Maria Walsh, Verina Gfader, Georgina Starr, Kate Smith, Leda Papaconstantinou, Monika Oechsler, Katherine Meynell, Despina Meimaroglou, Rebecca Fortnum, Sutapa Biswas, Laura Malacart, Catherine Maffioletti, Claire MacDonald, Dominika Kieruzel, Susan Kelly, Rebecca Hallifax, Lucy Gunning, Fran Cottell, Brian Dawn Chalkley, Jo Bruton, Katie Baker, Gill Addison, Claudia Kappenberg, Celestin Edwards, Maria Walsh, Sarah Tremlett, Ana Laura Lopez de la Torres, Sissu Tarka, Sarah Smith, Lucy Reynolds, Anita Ponton, Susannah Pal, Jo Mitchell, Catherine Maffioletti, Claire Walsh, Marcia Farquhar, Sharon Bennett, Oreet Ashery, Yolande Burgin, Rose Cronin, Elisha Foust, Oriana Fox, Dominika Kieruzel, Elena Loizidou, Kristen Lovelock, Caroline Smith
The Moon: Women Watch Themselves Being Looked At
Published on the occasion of the Once More With Feeling event at Tate Modern 27 June 2009.
Intimacy - Across Visceral and Digital Performance
INTIMACY was a three-day digital and live art programme (7-9 December 2007, London) made to induce interaction and provoke debate, and enable the interrogation and creative exploration of formal, aesthetic and affective modes of performing intimacy. Performances: Spank by Caroline Smith; This is How it Was by Chris Johnston. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)
We Need to Talk About Live Art
Interviews and conversation on the National Review of Live Art. 6 -10 Feb 2008
Unbound pages. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)
