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Catalogue > By Keyword > childbirth

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Split Asunder: Obstetric Violence and Pain in Máiréad Delaney’s At What Point It Breaks (20170)
Artist/Author: Kate Antosik-Parsons | Digital Reference: EF5315 | Type: Digital File

Examines the embodiment of pain in Máiréad Delaney’s performance.

Part of The Library of Performing Rights (P3041).

aesthetics affect body childbirth control gender human rights Ireland pain performance art politics representation reproductive justice violence women

Blood Counts
Digital Reference: EF5288 | Type: Digital File

A programme of events exploring blood in performance for BLOOD: Life Uncut, a season of work for the new Science Gallery, London. Includes:

Janez Janša: Ron’s Story (5 minutes, 2001)

Ernst Fischer and Nicola Hunter: Passion/Flower (2012, 4 minutes)

Regina Jose Galindo: Who Can Erase the Traces (2003, 2 minutes),  La
Sangre del Cerdo (2016, 8 minutes)

Franko B: I Miss You! (2003, 2 minutes)

Marisa Carnesky: Dr Carnesky’s Incredible Bleeding Woman (2016, 3 minutes)

jamie lewis hadley: this rose made of leather (2012, 10 minutes)

Kira O’Reilly: Wet Cup (2000, 3 minutes)

Martin O’Brien: If It Were The Apocalypse I’d Eat You To Stay Alive (2015, 8 minutes)

La Ribot: Another Bloody Mary (2000, 10 minutes)

Rocío Boliver: Times Go By and I Can’t Forget You: Between Menopause and Old Age (2013, 4 minutes)

addiction ageing AIDS Aksioma BAST catwalk childbirth cystic fibrosis disability domesticity duration feminism feminist art gender harassment HIV homeliness hysteria intimidation José Efraín Ríos Montt Manuel Vason menstruation misogyny parliament politics queer queer activism racism radical sex rape repetition ritual Rocio Boliver self-harm sex sexuality Slovenia Tate Modern Turbine Hall wet cupping women

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