Catalogue > By Keyword > China
186 results | Page 3 of 19
Translated Acts - Performance and Body Art from East Asia documentation
Selected images from the exhibition Translated Acts, curated by Yu Yeon Kim at the Haus der Kulturen der Welt and the Queens Museum of Art in 2001.
Border as Method, or, the Multiplication of Labor
Mezzadra and Neilson explore the atmospheric violence that surrounds borderlands and border struggles across various geographical scales, illustrating their theoretical arguments with illuminating case studies drawn from Europe, Asia, the Pacific, the Americas, and elsewhere.
Theatre and Interculturalism
How are hybrid and diasporic identities performed in increasingly diverse societies? How can we begin to think differently about theatrical flow across cultures?
Performance and the Global City
The book explores what it means to create and experience urban performance – as both an aesthetic and a political practice – in the burgeoning world where cities are built by globalization and neoliberal capital.
Li Yuan-Chia: Tell me what is not yet said
A monograph documenting the artist's life and work; includes photographs which have never before been reproduced, a selection of his short texts and poems, which reflect his feelings on the open question of the relationship between art and life, and two newly commissioned essays by Guy Brett and Nick Sawyer.
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Art, Activism and Ai Weiwei
The author reviews Alison Klayman’s documentary on Chinese artist Ai Weiwei “Never Sorry”.
Soya Sauce and Ketchup Fight
Extract from “Soya Sauce and Ketchup Fight” street performance intervention in Trafalgar Square by Cai Yuan and Jian Jun Xi artistic duo known as “Mad for Real”.
Pop Goes the Avant-Garde: Experimental Theatre in Contemporary China
Pop Goes the Avant-Garde is the first comprehensive review of the history and development of avant-garde drama and theatre in the People’s Republic of China since 1976. Drawing on a range of critical perspectives in the fields of comparative literature, theatre, performance and culture studies, it explores key artistic movements and phenomena that have emerged in China’s major cultural centres in the last several decades.
