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182 results | Page 6 of 19

Boris Charmatz

Editor: Ana Janevski | Reference: P3425 | ISBN: 978-1633450066 | Type: Publication

Whether he’s creating a dance composed solely of everyday actions, working with an ensemble of children, or running a “dancing museum,” Charmatz’s work experiments with the body as a vessel for subjectivity, history, and collective action. 

Choreo-Graphic Figures: Deviations from the Line

Editor: Nikolaus Gansterer, Emma Cocker and Mariella Greil | Reference: P3322 | ISBN: 978-3110546606 | Type: Publication

Stages a beyond-disciplinary, inter-subjective encounter between the lines of choreography, drawing and writing, for exploring those forms of thinking-feeling-knowing produced through collaborative exchange, in the slippage and deviation as different modes of practice enter into dialogue, overlap, collide.

Baseado em Fatos Reais

Artist/Author: Ângelo Madureira and Ana Catarina Vieira | Reference: D2279 | Type: DVD

The dancers develop movements in response to a photo – creating in real time. 

Part of the Library of Performing Rights (LPR) (P3041).

Politics of affection and uneasiness

Artist/Author: Bojana Kunst | Reference: A0746 | Type: Article

From the Dance and Politics edition.  In Slovenian and English.

Part of the Library of Performing Rights (LPR) (P3041).

Butting Out

Artist/Author: Ananya Chatterjea | Reference: P3278 | ISBN: 978-0819567338 | Type: Publication

Reading wesistive choreographies through works by Jawole Willa Jo Zollar and Chandralekha.

Part of the Library of Performing Rights (LPR) (P3041).

Schooling the Spectator in O

Artist/Author: Kristen Cochrane | Editor: Natasha Lushetich and Mathias Fuchs | Reference: A0731 | Type: Article

On Project O’s performances at the Forest Fringe Microfestival, Progress Festival, Theatre Centre, Toronto, Canada, February 2016

Playbook

Editor: Mark Harvey | Reference: P3204 | ISBN: 978-0-473-37174-6 | Type: Publication

An artist book which samples his performance and art practices over 14 years, with text by Victoria Wynne-Jones, Mark Amery and Gradon Diprose.

Enmeshed bodies, impossible touch: the object-oriented world of Pina Bausch’s Café Müller

Artist/Author: João Florêncio | Editor: Richard Allen and Shaun May | Reference: A0726 | Type: Article

The addresses the nonhuman bodies of Café Müller and claim that Bausch’s piece resonates with the work of contemporary philosopher Graham Harman, in that it tries to go beyond human exceptionalism to present a world where all bodies, regardless of their perceived nature, are simultaneously tightly enmeshed together and inaccessible to one another.

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