A new anthology about the work of Jonathan Burrows & Matteo Fargion.
Produced in conjunction with FACING FRONT, a series of performances and workshops presented by Thirdbird in Philadelphia, in June 2015.

A duet collaboration between two choreographers (one disabled, one non-disabled) working together on dance performances that touch the borders of mainstream assumptions about implicit and explicit images of ‘the contemporary dancer’ and the different potentials for our bodies to be seen as knowing, skilful and passionate.

Contains extracts and a 37 minute edit.

2008.

One woman show narrating and constructing a self or a body.

2008

A duet collaboration between two choreographers (one disabled, one non-disabled) working together on dance performances that touch the borders of mainstream assumptions about implicit and explicit images of ‘the contemporary dancer’ and the different potentials for our bodies to be seen as knowing, skilful and passionate.

Work in progress (2007).

Includes a research document and a short WIP edit.

A new translation of Hoghe’s original rehearsal diary that documented the legendary Tanztheater Wuppertal’s work on Bandoneon (1980), illustrated with photos of the production by Ulli Weiss, and personal images and notes from the dancers.

Translated from the German by Penny Black.

In the summer of 2006, the two artists travelled across the Pennine Way creating a choreographic pathway – a shared journey and celebration of walking as dance and dancer as traveller.

This story of a career forged in the heady waters of performance art and dance-film depicts Aggiss resuscitating herself back into the on-stage limelight. In the process, she becomes an unwitting channel for wilful women and forgotten archives; a conduit for hidden histories and buried truths. 

Clips; 4:44.

Includes:

Model Behaviours publication (AFFECT module I); in English; 2014

Mit freundlichen Gruessen exhibition catalogue; in German; 2013

promotional postcards; in English; 2014

Using Jerome Bel's Disabled Theater – a dance piece that features a company of professional disabled actors – as the basis of a broad, interdisciplinary discussion of performance and disability, this volume explores the intersections of politics and aesthetics, inclusion and exclusion, and identity and empowerment. 

A series of conversations with dance artists, curators and directors, who share their experiences of presenting or performing dance in museum and gallery spaces.