Catalogue > By Keyword > Chris Burden
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How Do You Write a Risk Assessment for Lips of Thomas?
Art students who experiment, think differently and take risks are often praised for their efforts. But what happens when students become interested in developing performance-based work involving risk of injury and physical pain?
Catalogue - Venice International Performance Art Week 2014: Ritual Body - Political Body
Festival catalogue.
Endurance
Endurance was a three-day programme of screenings, performances and exhibition exploring the physical and mental limits of human experience (24 April – 26 June 2008 at VIVID, Birmingham). This forder includes flyers, programme and booklet with programme notes and texts by Tracey Warr, Kay Winwood, Deborah Kermode.
No Innocent Bystanders Performance Art and Audience
*currently unavailable*
This publication explores the ethical challenges with which performance art confronts its viewers speak to the reimagining of the audience.
Sonic Somatic: Peformances of the Unsound Body
Investigates sound art and its various manifestations through historical, theoretical, polemical and critical analyses of artistic, musical and literary works
Chris Burden: Extreme Measures
Anatomy of Falling
Article written by Amy Sharrocks for the 'Performance Research on Falling' journal. Located in Miscellaneous Articles Folder 5A. This item is part of the Study Room Guide: On Falling by Amy Sharrocks (P2249)
Live Art in LA: Performance in Southern California, 1970 - 1983
Documents and critically examines one of the most fecund periods in the history of live art.
Be Here Now
Adam E Mendelsohn article discussing the retrieval of history through re-enactment.
Art, Lies and Performance
Art Monthly article.